Tag Archives: Dark

Candles, Carts & Carbolic

Source: Jim Callaghan, Candles, Carts & Carbolic: A Liverpool Childhood Between the Wars (Lancaster: Palatine Books, 2001), pp. 35-36 Text: The Saturday afternoon visit to the pictures was our one and only treat, twopence in the Balcony, penny in the … Continue reading

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Triumphant March into Port Arthur

Source: Hyakken Uchida (trans. Rachel DiNitto), ‘Triumphant March into Port Arthur’, in Realm of the Dead (Dalkey Archive Press, 2006 – orig. pub. in Ryojun Nyujōshiki, 1934) Text: I went to a film festival of old moving pictures at Hosei … Continue reading

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Old Humphrey’s Walks in London and its Neighbourhood

Source: [George Mogridge (‘Old Humphrey’)], Old Humphrey’s Walks in London and its Neighbourhood (New York, R. Carter & Brothers, 1851, 5th ed., orig. pub. c.1843), pp. 218-226 Text: This, then, is the Cosmorama. The little book put into my hand … Continue reading

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The Missionary Film

Source: Winifred Holtby, extract from ‘The Missionary Film’, Truth is not Sober (London: W. Collins Sons & Co., 1934), pp. 108-110 Text: In the market place the cinema beckoned to him, flaring with joyous light, festooned with small electric bulbs … Continue reading

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A Century of Cinema

Source: Susan Sontag, extract from ‘A Century of Cinema’ in Where the Stress Falls (London: Penguin, 2009), pp. 118-119 (originally published in a German translation in Frankfurter Rundschau, 30 December 1995) Text: As many have noted, the start of moviemaking … Continue reading

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Silent Life and Silent Language

Source: Kate M. Farlow, Silent life and silent language, or, The inner life of a mute in an institution for the deaf and dumb (Dayton, Ohio: Christian Publishing House, 1883), pp. 108-109 Text: As time went on it was decided … Continue reading

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The Crowd

Source: Extract from Louis Delluc, ‘The Crowd’ (originally ‘La Foule’, Paris-Midi, 24 August 1918, p. 2), reproduced and translated in Richard Abel (ed.), French Film Theory and Criticism: a History/Anthology, 1907-1939 – Volume I: 1907-1929 (Princeton, N.J.: Princeton University Press, … Continue reading

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An Entertaining Life

Source: Harry Secombe, An Entertaining Life (London: Robson Books, 2001), pp. 37-38 Text: Another influence on me was the local cinema, which went through various transformations in my boyhood. At first it was called the Pictorium, or the ‘Pic’, and … Continue reading

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