Source: Lauchlan MacLean Watt, The Heart of a Soldier (New York: George H. Doran Company, 1918), pp. 78-79 Text: There are constant opportunities for the artist amongst our men, if only the artist were there to catch the play of … Continue reading →
People
African-Americans Arabs Artists Audience Benshi Black Africans Children Chinese Deaf people Disabled Elderly Immigrants Japanese Jews Lecturers Men Missionaries Musicians Novelists Parents Poets Royalty Showmen Soldiers Travel writers Women
Places
Acapulco - Amman
Antwerp Aurillac Balmoral Barcelona Basra Bassano Beeston Beijing Beirut Berkhamsted Berlin Blackpool Bolton Bratislava Brighton Bromley Bucharest Budapest Cadaques Cairo Cape Town Chicago Cleveland Colchester Cuernavaca Damascus Dandenong Dartford Davos Delhi Des Moines Douglas Dover Dublin Dundee Edinburgh Ettelbruck Ewell Frankfurt Gaza Glasgow Gloucester Gooty Guildford Henley-on-Thames Homestead Iloilo Ipswich Kiev Kingston Kirkcaldy Leamington Spa Leeds Leningrad Liu Ling Liverpool London Luton Lyme Regis Manchester Mannheim Marseilles Matsue Middlesborough Moscow Muncie Newcastle New York Nîmes Nizhny-Novgorod Norwich Nottingham Oakland Odessa Offenbach Oldham Oxford Paris Petrograd Pittsburgh Prague Pretoria Puebla Pula Rangoon Rio de Janeiro Robben Island Rochester (New York) Rochester (UK) Rome Ryde St Leonard's St Petersburg Salford Salvador San Francisco San Remo Saragossa Shanghai Sheerness Sheffield Sissinghurst Skegness Sligo Soisy-sur-Seine Southport Soweto Stevenage Stockport Stoke-on-Trent Strasbourg Swansea Sydney Teheran Tenerife Tokyo Toledo Tooting Tours Trier Tsarskoye Selo Uppsala Wallsend Wellesley West Orange Wilmington Windsor Woodstock (Oxon) Worcester (South Africa) Yenan
Subjects
Advertising Animals Anti-Americanism Applause Atmosphere Bombs Booing Boredom Bouncing ball Box office Breakdowns Capacity Cars Censorship Chronophotography Cine-variety Class Clothing Colour Comfort Competitions and prizes Continuous show Cosmoramas Costume Credits Crime Crying Curtains Dark Decor Demographics Dialogue Disabilities Dissolving views Dreams Duration Eidophusikon Endings Etiquette Eyestrain Fakery Fantasies Fashion Fear Festivals Film grammar Film strips Fire First impressions Flicker Food and drink Frequency of attendance Gender Glasses Hair Hats Health Hollywood Hours Hygiene Imitation Intermission Intertitles Kinoplastikon Laughter leaving Licensing Lighting Lobbies Magic lanterns Make-up Matinees Mechanical failure Mechanical pictures Misbehaviour Molestation Money Morality Music Nationalism Nightmares Noise Non-attendance Nudity Optical illusions Organs Phantasmagoria Philosophy Picture quality Politics Premieres Prices Programmes Programming Projection Psychology Queues Race Reading intertitles Realism Religion Repeat viewings Reputation Seating Sex Silence Singing Sleep Slides Slow motion Smoking Solitary viewing Sound effects Speed Spitting Stereoscopy Stereotypes Streamed theatre Subtitles Sundays Suspension of disbelief Sweets Tableaux vivants Talking Television Television sets Testcards Temperance Thaumatropes Tickets Time Toilets Torches Transportation Variety theatres Ventilation Violence Vocabulary Warmth Weapons Weather Witnessing oneself
Venues
Aeroplanes Amusement parks Arcades Arenas Beach cinemas Churches and chapels Cinemas Circuses Dioramas Domestic Drive-ins Fairgrounds Floating Hale's Tours Halls Hospitals Kaiserpanorama Missions Multiplexes Music halls News cinemas Nickelodeons Open air Opera houses Peepshows Phones Prisons Restaurants Railway stations Schools Shops Stores Street cinemas Tea gardens Tea rooms Tents Theatres Travelling shows Universities