Tag Archives: Literary adaptations

British Cinemas and Their Audiences

Source: J.P. Mayer, British Cinemas and their Audiences: Sociological Studies (London: Dennis Dobson, 1948), pp. 198-201 Text: AGE: 20 SEX: F. OCCUPATION: SHORTHAND-TYPIST NATIONALITY: BRITISH FATHER’S OCCUPATION: POLICE CONSTABLE MOTHER’S OCCUPATION: HOUSEWIFE I have not the time to be a … Continue reading

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Views of a Viewer

Source: Jean Bartlett, ‘Views of a Viewer’, The Radio Times, 4 June 1937, p. 3 Text: Perhaps other televiewers may be interested to read a brief account of the reactions of one household and its friends to the first six … Continue reading

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The Crowd

Source: Extract from Louis Delluc, ‘The Crowd’ (originally ‘La Foule’, Paris-Midi, 24 August 1918, p. 2), reproduced and translated in Richard Abel (ed.), French Film Theory and Criticism: a History/Anthology, 1907-1939 – Volume I: 1907-1929 (Princeton, N.J.: Princeton University Press, … Continue reading

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British Cinemas and their Audiences

Source: J.P. Mayer, British Cinemas and their Audiences: Sociological Studies (London: Dennis Dobson, 1948), pp. 57-59 Text: AGE: 19; SEX: F.; FATHER: HEAD CLERK, SOLICITORS MANAGING CLERK; OCCUPATION: STUDENT NURSE; NATIONALITY: BRITISH I have been considering answering your request for … Continue reading

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Moving Pictures

Source: Stephen Paget, ‘Moving Pictures’, in I Sometimes Think: Essays for the Young People (London: Macmillan, 1916), pp. 68-85 Text: We are so accustomed to moving pictures, that we do not trouble ourselves to study their nature, or their place … Continue reading

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British Cinemas and their Audiences

Source: J.P. Mayer, British Cinemas and their Audiences: Sociological Studies (London: Dennis Dobson, 1948), pp. 182-184 Text: NO. 15A AGE: 18 SEX: F. PARENTS’ OCCUPATION: FATHER – SOLDIER, MOTHER – HOUSEWIFE OCCUPATION: G.P.O. EMPLOYEE NATIONALITY: BRITISH When I go to … Continue reading

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