Family Life and Work Experience Before 1918

Source: Extract from interview with Edward William Wifen, C707/9/1-2, Thompson, P. and Lummis, T., Family Life and Work Experience Before 1918, 1870-1973 [computer file]. 7th Edition. Colchester, Essex: UK Data Archive [distributor], May 2009. SN: 2000, http://dx.doi.org/10.5255/UKDA-SN-2000-1

Text: But there’s one thing I put in my other notes, about the cinemas. I can remember when I was ever so young and I suppose I was just at that age when you can remember, that my sister … one of my sisters taking me to the Corn Exchange here to what they call Pools Morama, and that was a kind of a … must have been when the moving pictures was in the very early stages, became I can’t remember very much about it except that they were all horses dashing along and they seemed to be coming towards you. That was called Pools Morama, and I think that that was connected with Ipswich because for years there was a Pools picture house in Ipswich, and I’ve got an idea that that was the same thing, and then eventually they went over to the ordinary pictures. But you don’t hear anything about that sort of thing, but that definitely was so, because I can distinctly remember going and I know that they were horses. They were men on horses and they seemed to be coming to you. Probably that was something to do with the Boer War. The picture may have been, you see, with all the horses, may have been that. But I can’t remember whether they were soldiers on the horses, or not. I couldn’t have been very old, but I do remember that.

Comments: Edward William Wifen (1897-?) was the youngest of eight children of a Colchester gardener, and his memories here relate to Colchester. Poole’s Myriorama was a travelling panorama show, organised by the Poole family, which toured widely across the UK in the late Victorian period and early 1900s. The Myriorama combined scrolling panoramas with cut-out figures, music, lighting effects, and narration, often illustrating military adventures (the Anglo-Boer was was 1899-1902). Ipswich did have a Poole’s Picture Palace, managed by the Poole family business. Wifen was one of 444 people interviewed by Paul Thompson and his team as part of a study of the Edwardian era which resulted in Thompson’s book The Edwardians: The Remaking of British Society (London: Weidenfeld and Nicolson, 1975).

A Journey Round the Globe

The interior of Wyld’s Great Globe, Illustrated London News, 7 June 1851, via Wikimedia Commons

Source: Anon., ‘A Journey Around the Globe’, Punch, or the London Charivari, vol. 21 (1851), pp. 4-5

Text: We did not even take a carpet-bag, or a tooth-brush, or a clean collar with us. All our luggage consisted of a walking-stick and a postage-stamp. The latter we parted with at the end of our journey, to acquaint our friends that we had been round the Globe in perfect safety.

We have our doubts whether ladies will approve much of this new style of travelling. It dispenses with everything in the shape of luggage.

Our only passport was a shilling. This passport is very convenient. It requires no viséing. No allusions are made in it to your eyes; no questions asked about your name, residence, or nose. You present your passport at the door; it is taken from you; and you never see it any more. We wish every passport was as easy to obtain, and as easy to get rid of.

We like traveling round the Globe. First of all, there is not a single turnpike on the road. There is no dust, nor any throwing of eggs nor flour, as on the journey from Epsom – and again, there are no beggars, as in Ireland, — no revolutions, as in France – no monks or mosquitos, as in Italy, – and no insults, as in America. It is as easy as going up stairs to dress, and coming down in to dinner.

The journey is made on foot. Young ladies who cannot travel anywhere but in their own carriage, must abandon all thoughts of travelling round the Globe. It is true, the journey might be made on horseback, but then the horse must be one of those “trained steeds” from ASTLEY’s, which are taught to run up ladders without missing a single step. The travelling, it must be confessed, is rather steep and resembles very much a journey up the Monument. This resemblance, however, arises entirely from the peculiar formation of the interior.

In this respect MR. WYLD has made a grand discovery. He satisfactorily proved that the interior of the Globe is not filled with gases, according to AGASSIZ; or with fire, according to BURNET; neither has he filled it, like FOURIER, with water, as if the Globe were nothing better than a globe of gold fish. No; MR. WYLD has lately shown us that the interior of the Globe is occupied by immense strata of staircases!

These staircases rise above one another, like the steps in the Duke of York’s Column. This new theory must make traveling remarkably easy for persons who are occupied all day long in running up and down stairs, and seems as if it had been purposely laid down for maids-of-all-work, or poor relations on a visit.

Our first flight through the Globe – that is to say, when we came to the first landing place – convinced us that the crust of the Earth very much resemble the crust of a beefsteak pie that had been considerably overbaked. The inequalities on the surface, where the mountains are supposed to rise, represented to our ingenious fancy the bumps caused by the potatoes slumbering below, whilst the cracks through which the rivers are imagined to roll, disclosed to our mind’s eye the crevices in the crust that sometimes display such tempting glimpses of the rich gravy that is flowing underneath.

This notion of the pie is not in the least overdone; for really the heat of the Globe is equal to that of any baker’s oven. We don’t wonder at this, when we observed at every turn that there were small jets of gas bursting out of the Earth, in a number almost sufficient to roast a prize ox at any of the ensuing elections. The combustion of these several gases raises the atmpsphere of the almost to boiling point; and we are confident that if any one, anticipating a long journey round the Earth, took his dinner with him, he could cook it on the spot, free of expense.

The most curious thing is, that the higher a person ascends in the World, the hotter it becomes for him; so that when he has reached the greatest elevation man can attain, he suddenly finds the World too hot to hold him, and is obliged to come down again with a run. This is a fine lesson of world ambition, which we experienced, for once, ourselves. We felt the heat so excessive, and, fancying the Arctic Regions must be of all regions the coldest in the World, we steamed our panting way up there; but, will it be believed? – accustomed as we are always to be at the top of the Pole – we could not stand the climate of early peas and pine-apples, that is almost at forcing-height in those icy districts; and we were compelled to run down stairs to the Tropics as fast as we could, in order to get cool again. It is lucky that there are parts of the Globe where a person can breathe with comfort, or else MR. WYLD would have made us regret that we had ever come into the World at all!

Exterior of the Great Globe, Illustrated London News 7 June 1851, via Wikimedia Commons

And of this we should have been profoundly sorry; for, to speak the truth, this World is a most beautiful one. It is most agreeable to stand in the centre of the Earth, and to see yourself surrounded by oceans and continents, – first, to, feast of a bit of land, and then to drink in with your eyes a whole Atlantic-full of water. Drink as much as you will, you cannot take all the water in. You dread lest the waters should close in around you, and swallow you up like a cork in the middle of a water-butt. You cling to the railings for support; but the sight of land cheers you the next moment. All the World is before you; you have only to choose where to go to. With a patriotic rush your eyes run to England, and you are wonder-struck at a country which occupies so large a space in the thoughts of the world, should take up so little room on the surface of it. England, that has filled so many leaves in the world’s history, is scarcely the size of a cabbage leaf; and London, which prides itself upon being the centre of civilisation, is not half so big as TOM THUMB’s nose.

The World, as has often been remarked by moralists before, is exceedingly hollow; but then, if it were not, we could never have seen it for one shilling. This is very lucky; for it has enabled MR. WYLD to present to us the Globe in the shape of a geographical globule, which the mind can, take in at one swallow. You see the comparative heights of all the mountains, and the comparative sizes of the different continents. Everything is measured to the nicety of a fashionable tailor; and we must say, that in no worldly quality do we admire MR. WYLD so much as in the moderation of his measurement. Most men when they are given an inch take an ell; but MR. WYLD, with a modesty that is beyond all measure, was given ten miles, and he has only taken an inch! – for that is the magic scale with which he has compressed volcanoes into a thimble, and condensed lakes into the size of a tea-cup!

Not only are the features of the different continents carefully portrayed but an attempt has also been made to give the face of each an individual complexion. For this purpose MR. WYLD has called in the assistance of MR. BEVERLEY, whose brush must now enjoy, if it did not before, a world-wide renown. Warm colours are given to warm climates – dead colours to barren districts — neutral colours to countries of which little is known; whilst a generous couleur de rose is thrown over those parts where the Sun of civilisation is supposed to shine the strongest. Here and there, you see glittering red points burning away like the tops of the lighted cigars that are made in chocolate. These are volcanic mountains, and the authority for painting them that colour, has been taken from the celebrated Mountain in the French Chambers, which we all know is excessively volcanic, and particularly Red.

The general effect is very curious. Here a country looks like an immense cabbage-leaf, flattened out, half green and half decayed, with an immense caterpillar crawling right over it, in the shape of a chain of mountains. There a country resembles an old piece of jagged leather hung up against the wall to dry, with large holes that have been moth-eaten out of it. On one side you will see a cluster of islands, like dead leaves on the water, whilst, opposite to it will be some large tract of land looking vesicated, with the rivers running close to one another, like the veins in an anatomical engraving. Above your head will be hanging an old rug, like Russia, looking half-burnt and half-blistered by live coals that had fallen upon it, whilst underneath your feet may be spread Africa, like an immense skin – in some parts red and tawny, like a lion’s — and in others a rich yellow, with beautiful black marks, like the stripes on a leopard’s back. Fancy these, and many hundred others, hung up, in monster frames with endless margins of blue-water, and you will have a vivid conception, though perhaps not a very picturesque one, of the Globe which WYLD has suspended, like a fine, suggestive, picture, on the wall, for us to look at. The great pity is, you cannot see the picture all at once. It is cut in two by the hideous stair case. But this may have been run up purposely to show us that “one half the Globe doesn’t know what the other half is doing.”

Comments: Wyld’s Great Globe was a panoramic entertainment built in the shape of a globe, which was exhibited in London’s Leicester Square 1851-1862. It was created by the British mapmaker and MP James Wyld (1812–1887). The Great Globe was hollow, with iron staircases and platforms enabling visitors to see the world’s surface displayed on the inside to a scale of 10 miles to the inch, in plaster of Paris. It was 60 ft 4 ins in diameter, and was contained within a building around 180 ft square with 20 ft walls and a domed roof. As Punch notes, the gas lighting, combined with the crowds, made the interior uncomfortably hot. The entrance price was a shilling, two shillings and sixpence on Thursdays and Saturdays. The exhibition was accompanied by hourly lectures, moving panoramas, and displays of cartographic equipment in adjoining galleries. The Great Globe, which opened on 2 June 1851, was a huge success in its first year of operation, boosted by crowds that came to London for the Great Exhibition. It remained in Leicester Square for another ten years, after which it was torn down. Mr. Beverley was William Roxby Beverley, a theatrical scene painter.

Links: Copy at Hathi Trust

Queen Victoria's Journals

Source: Queen Victoria’s journal entry for 28 June 1854

Text: We went after breakfast with the 4 Children & Ladies & Gentlemen to see Albert Smith’s “Ascent of Mont Blanc”, a panorama, which he describes, interspersed with anecdotes & wit of the most amusing kind, delivered with the most surprising volubility. The last song was inimitable. The views were extremely pretty & the room fitted up charmingly as a Châlet. The Performance took place at the Egyptian Hall.

Comments: Queen Victoria (1819-1901) records seeing panoramas several times in her journals. Albert Richard Smith (1816-1860) was a British entertainer, novelist and mountaineer. In 1851 he successfully ascended Mont Blanc, and a show devised and presented by Smith the following year about the expedition, at London’s Egyptian Hall, became one of the most renowned and popular entertainments of its time. The show, entitled Mr Albert Smith’s Ascent of Mont Blanc, opened on 15 March 1852. Smith’s talk of his adventures was illustrated by moving panoramas, painted by William Beverley, which moved horizontally for the section covering Smith journey to the Alps, and vertically for the ascent. The show ran for seven seasons six years, with each new season changing elements of of the presentation. The Swiss chalet was added to the staging for the second season.

Links: Queen Victoria’s Journals

Mr. Albert Smith’s ‘Ascent of Mont Blanc’

Albert Smith lecturing at the Egyptian Hall, London: ‘The Ascent of Mont Blanc’, Illustrated London News, 25 December 1852, p. 565

Source: Anon., ‘Mr Albert Smith’s “Ascent of Mont Blanc”‘, Illustrated London News, 10 April 1852, p. 291

Text: Mr. Smith’s Lecture at the Egyptian Hall, on his now celebrated ascent of Mont Blanc, with Mr. Beverley’s magnificent illustrations, increases daily and nightly in attraction. They are to be classed among the few things that turn out better than expected, and are thus more highly valued on acquaintance than before. We this week give another of Mr. Beverley’s pictures. It takes the story of the adventurous tourists further in advance, and presents them on the Grands Mulets rocks by sunset. We have to imagine the travellers safely passed over the dangerous crevice in the Glacier du Tacconay, by means of the ladder, and then scrambling up the steep ice-cliff, tied together, and pulled up by a cord one after the other, until, braving much peril, they attained a desirable station. Here they came to the scene of our Illustration—two or three conical rocks which rise from island peaks from the snow and ice at the head of the Glacier des Bossons, and which, were they loftier, would probably be termed aiguilles. They are chosen for a halting-place, not less from their convenient station on the route than from their situation out of the way of the avalanches. The scene and the sunset are powerfully delineated and painted in the following fine piece of description:—

The Grand Mulets

Below us, and rising against our position, was the mighty field of the glacier—a huge prairie, if I may term it so, of snow and ice, with vast irregular undulations, which gradually merged into an apparently smooth unbroken tract, as their distance increased. Towering in front of us, several thousand feet higher, and two or three miles away, yet still having the strange appearance of proximity that I have before alluded to, was the hugs Dône du Goûté—the mighty cupola usually mistaken by the valley travellers for the summit of Mont Blanc. Up the glacier, on my left, was an enormous and ascending valley of ice, which might have been a couple of miles across; and in its course were two or three steep banks of snow, hundreds of feet in height, giant steps by which the level landing-place of the Grand Plateau was to be reached.

The sun at length went down behind the Aiguille du Goûté, and then, for two hours, a scene of such wild and wondrous beauty—of such inconceivable and unearthly splendour—burst upon me, that, spell-bound and almost trembling with the emotion its magnificence called forth—with every sense, and feeling, and thought absorbed by its brilliancy, I saw far more than the realisation of the most gorgeous visions that opium or hasheish could evoke, accomplished. At first, everything about us—above, around, below—the sky, the mountain and the lower peaks—appeared one uniform creation of burnished gold, so brightly dazzling, that, now our veils were removed, the eye could scarcely bear the splendour. As the twilight gradually crept over the lower world, the glow became still more vivid; and presently, as the blue mists rose in the valleys, the tops of the higher mountains looked like islands rising from a filmy ocean—an archipelago of gold. By degrees this metallic lustre was softened into tints—first orange, and then bright, transparent crimson, along the horizon, rising through the different hues, with prismatic regularity, until, immediately above us, the sky was a deep pure blue, merging towards the east into glowing violet. The snow took its colour from these changes; and every portion on which the light tell was soon tinged with pale carmine, of a shade similar to that which snow at times assumes, from some imperfectly explained cause, at high elevations—such, indeed, as I had seen, in early summer, upon the Furka and Faulhorn. These beautiful hues grew brighter as the twilight below increased in depth ; and it now came marching up the valley of the glaciers until it reached our resting-place. Higher and higher still, it drove the lovely glory of the sunlight before it, until at last the vast Dône du Goûté and the summit itself stood out, icelike and grim, in the cold evening air, although the horizon still gleamed with a belt of rosy light.

Although this superb spectacle had faded away, the scene was still even more than striking. The fire which the guides had made, and which was now burning and crackling on a ledge of rock a little below us, threw its flickering light, with admirable effect, upon our band. The men had collected round the blaze, and were making some chocolate, as they sang patois ballads and choruses: they were all evidently as completely at home as they would have been in their own chalets. We had arranged ourselves as conveniently as we could so as not to inconvenience one another, and had still nothing more than an ordinary wrapper over us: there had been no attempt to build the tent with batons and canvas as I had read in some of the Mont Blanc narratives— the starry heaven was our only roofing. F. and P. were already fast asleep. W. was still awake, and I was too excited even to close my eyes in the attempt to get a little repose. We talked for awhile, and then he also was silent.

The stars had come out, and, looking over the plateau, I soon saw the moonlight lying cold and silvery on the summit, stealing slowly down the very track by which the sunset glories had passed upward and away. But it came too tardily that I knew it would be hours before we derived any actual benefit from the light. One after another the guides fell asleep, until only three or four remained round the embers of the fire, thoughtfully smoking their pipes. And then silence, impressive beyond expression, reigned over our isolated world. Often and often, from Chamouni, I had looked up at evening towards the darkening position of the Grands Mulets, and thought almost with shuddering, how awful it must be for men to pass the night in such a remote, eternal, and frozen wilderness, And now I was lying there—in the very heart of its ice-bound and appalling solitude. In such close communion with nature in her grandest aspect, with no trace of the actual living world beyond the were speck that our little party formed, the mind was carried far away from its ordinary trains of thought—a solemn emotion of mingled awe and delight, and yet self-perception of abject nothingness, alone rose above every other feeling. A vast untrodden region of cold, and silence, and death, stretched out, far and away from us, on every side; but above, heaven, with its countless, watchful eyes, was over all!

We may safely leave the picture and this glowing description to commend themselves to the intelligent reader. Both, in their way, are right excellent works of art, and Mr. Smith rises in our estimation as an author, for having delivered himself so nobly on a theme requiring and tasking the higher faculties for its due treatment. He has indeed written eloquently on the sublime.

Comments: Albert Richard Smith (1816-1860) was a British entertainer, novelist and mountaineer. In 1851 he successfully ascended Mont Blanc, and a show devised and presented by Smith the following year about the expedition, at London’s Egyptian Hall, became one of the most renowned and popular entertainments of its time. The show, entitled Mr Albert Smith’s Ascent of Mont Blanc, opened on 15 March 1852. Smith’s talk of his adventures was illustrated by moving panoramas, painted by William Beverley, which moved horizontally for the section covering Smith journey to the Alps, and vertically for the ascent. The show ran for seven seasons six years, with each new season changing elements of of the presentation. The text describes the first season of the show; the illustration at the top of this entry depicts the first season, though it was published at the time of the second season (when a Swiss chalet was added to the staging, framing the panorama). The image within the text shows the Grand Mulets and was originally published with the article (on the following page), referred to in the opening paragraph.

Some Account of an Extraordinary Traveller

Source: Charles Dickens, ‘Some Account of an Extraordinary Traveller’, Household Words, 20 April 1850, pp. 73-77

Text: No longer ago than this Easter time last past, we became acquainted with the subject of the present notice. Our knowledge of him is not by any means an intimate one, and is only of a public nature. We have never interchanged any conversation with him, except on one occasion when he asked us to have the goodness to take off our hat, to which we replied ‘Certainly.’

Mr. Booley was born (we believe) in Rood Lane, in the City of London. He is now a gentleman advanced in life, and has for some years resided in the neighbourhood of Islington. His father was a wholesale grocer (perhaps) and he was (possibly) in the same way of business; or he may, at an early age, have become a clerk in the Bank of England or in a private hank, or in the India House. It will he observed that we make no pretence of having any information in reference to the private history of this remarkable man, and that our account of it must be received as rather speculative than authentic.

In person Mr. Booley is below the middle size, and corpulent. His countenance is florid, he is perfectly bald, and soon hot; and there is a composure in his gait and manner, calculated to impress a stranger with the idea of his being, on the whole, an unwieldy man. It is only in his eye that the adventurous character of Mr. Booley is seen to shine. It is a moist, bright eye, of a cheerful expression, and indicative of keen and eager curiosity.

It was not until late in life that Mr. Booley conceived the idea of entering on the extraordinary amount of travel be has since accomplished. He had attained the age of sixty-five before be left England for the first time. In all the immense journeys he has since performed, he has never laid aside the English dress, nor departed in the slightest degree from English customs. Neither does he speak a word of any language but his own.

Mr. Booley’s powers of endurance are wonderful. All climates are alike to him. Nothing exhausts him; no alternations of heat and cold appear to have the least effect upon his hardy frame. His capacity of travelling, day and night, for thousands of miles, has never been approached by any traveller of whom we have any knowledge through the help of books. An intelligent Englishman may have occasionally pointed out to him objects and scenes of interest; but otherwise he has travelled alone and unattended. Though remarkable for personal cleanliness, he has carried no luggage; and his diet has been of the simplest kind. He has often found a biscuit, or a bun, sufficient for his support over a vast tract of country. Frequently he has travelled hundreds of miles, fasting, without the least abatement of his natural spirits. It says much for the Total Abstinence cause, that Mr. Booley has never had recourse to the artificial stimulus of alcohol, to sustain him under his fatigues.

His first departure from the sedentary and monotonous life he had hitherto led, strikingly exemplifies, we think, the energetic character, long suppressed by that unchanging routine. Without any communication with any member of his family – Mr. Booley has never been married, but has many relations – without announcing his intention to his solicitor, or banker, or any person entrusted with the management of his affairs, he closed the door of his house behind him at one o’clock in the afternoon of a certain day, and immediately proceeded to New Orleans, in the United States of America.

His intention was to ascend the Mississippi and Missouri rivers, to the base of the Rocky Mountains. Taking his passage in a steamboat without loss of time, he was soon upon the bosom of the Father of Waters, as the Indians call the mighty stream which, night and day, is always carrying huge instalments of the vast continent of the New World down into the sea.

Mr. Booley found it singularly interesting to observe the various stages of civilisation obtaining on the banks of these mighty rivers. Leaving the luxury and brightness of New Orleans – a somewhat feverish luxury and brightness, he observed, as if the swampy soil were too much enriched in the hot sun with the bodies of dead slaves – and passing various towns in every stage of progress, it was very curious to observe the changes of civilisation and of vegetation too. Here, while the doomed negro race were working in the plantations, while the republican overseer looked on, whip in hand, tropical trees were growing, beautiful flowers in bloom; the alligator, with his horribly sly face, and his jaws like two great saws, was basking on the mud; and the strange moss of the country was hanging in wreaths and garlands on the trees, like votive offerings. A little farther towards the west, and the trees and flowers were changed, the moss was gone, younger infant towns were rising, forests were slowly disappearing, and the trees, obliged to aid in the destruction of their kind, fed the heavily-breathing monster that came clanking up those solitudes laden with the pioneers of the advancing human army. The river itself, that moving highway, showed him every kind of floating contrivance, from the lumbering flat-bottomed boat, and the raft of logs, upward to the steamboat, and downward to the poor Indian’s frail canoe. A winding thread through the enormous range of country, unrolling itself before the wanderer like the magic skein in the story, he saw it tracked by wanderers of every kind, roaming from the more settled world, to those first nests of men. The floating theatre, dwelling-house, hotel, museum, shop; the floating mechanism for screwing the trunks of mighty trees out of the mud, like antediluvian teeth; the rapidly-flowing river, mid the blazing woods; he left them all behind – town, city, and log-cabin, too; and floated up into the prairies and savannahs, among the deserted lodges of tribes of savages, and among their dead, lying alone on little wooden stages with their stark faces upward towards the sky. Among the blazing grass, and herds of buffaloes and wild horses, and among the wigwams of the fast-declining Indians, he began to consider how, in the eternal current. of progress setting across this globe in one unchangeable direction, like the unseen agency that points the needle to the Pole, the Chiefs who only dance the dances of their fathers, and will never have a new figure for a new tune, and the Medicine men who know no Medicine but what was Medicine a hundred years ago, must be surely and inevitably swept from the earth, whether they be Choctawas, Maudans, Britons, Austrians, or Chinese.

He was struck, too, by the reflection that savage nature was not by any means such a fine and noble spectacle as some delight to represent it. He found it a poor, greasy, paint-plastered miserable thing enough; but a very little way above the beasts in most respects; in many customs a long way below them. It occurred to him that the ‘Big Bird,’ or the ‘Blue Fish,’ or any of the other Braves, was but a troublesome braggart after all; making a mighty whooping and halloaing about nothing particular, doing very little for science, not much more than the monkeys for art, scarcely anything worth mentioning for letters, and not often making the world greatly better than he found it. Civilisation, Mr. Booley concluded, was, on the whole, with all its blemishes, a more imposing sight, and a far better thing to stand by.

Mr. Booley’s observations of the celestial bodies, on this voyage, were principally confined to the discovery of the alarming fact that light had altogether departed from the moon; which presented the appearance of a white dinner-plate The clouds, too, conducted themselves in an extraordinary manner, and assumed the most eccentric forms, while the sun rose and set in a very reckless way. On his return to his native country, however, he had the satisfaction of finding all these things as usual.

It might have been expected that at his advanced age, retired from the active duties of life, blessed with a competency, and happy in the affections of his numerous relations, Mr. Booley would now have settled himself down, to muse, for the remainder of his days, over the new stock of experience thus acquired. But travel had whetted, not satisfied, his appetite; and remembering that he had not seen the Ohio River, except at the point of its junction with the Mississippi, he returned to the United States, after a short interval of repose, and appearing suddenly at Cincinnati, the queen City of the West, traversed the clear waters of the Ohio to its Falls. In this expedition he had the pleasure of encountering a party of intelligent workmen from Birmingham who were making the same tour. Also his nephew Septimus, aged only thirteen. This intrepid boy had started from Peckham, in the old country, with two and sixpence sterling in his pocket; and had, when he encountered his uncle at a point of the Ohio River, called Snaggy Bar, still one shilling of that sum remaining!

Again at home, Mr. Booley was so pressed by his appetite for knowledge as to remain at home only one day. At the expiration of that short period, he actually started for New Zealand.

It is almost incredible that a man in Mr. Booley’s station of life, however adventurous his nature, and however few his artificial wants, should cast himself on a voyage of thirteen thousand miles from Great Britain with no other outfit than his watch and purse, and no arms but his walking-stick. We are, however, assured on the best authority, that thus he made the passage out, and thus appeared, in the act of wiping his smoking head with his pocket-handkerchief, at the entrance to Port Nicholson in Cook’s Straits: with the very spot within his range of vision, where his illustrious predecessor, Captain Cook, so unhappily slain at Otaheite, once anchored.

After contemplating the swarms of cattle maintained on the hills in this neighbourhood, and always to be found by the stockmen when they are wanted, though nobody takes any care of them – which Mr. Booley considered the more remarkable, as their natural objection to be killed might be supposed to be augmented by the beauty of the climate – Mr. Booley proceeded to the town of Wellington. Having minutely examined it in every point, and made himself perfect master of the whole natural history and process of manufacture of the flax-plant, with its splendid yellow blossoms, he repaired to a Native Pa, which, unlike the Native Pa to which he was accustomed, he found to be a town, and not a parent. Here he observed a chief with a long spear, making every demonstration of spitting a visitor, but really giving him the Maori or welcome – a word Mr. Booley is inclined to derive from the known hospitality of our English Mayors – and here also he observed some Europeans rubbing noses, by way of shaking hands, with the aboriginal inhabitants. After participating in an affray between the natives and the English soldiers, in which the former were defeated with great loss, he plunged into the Bush, and there camped out for some months, until he had made a survey of the whole country.

While leading this wild life, encamped by night near a stream for the convenience of water in a Ware, or lint, built open in the front, with a roof sloping backward to the ground, and made of poles, covered and enclosed with bark or fern, it was Mr. Booley’s singular fortune to encounter Miss Creeble, of The Misses Creeble’s Boarding and Day Establishment for Young Ladies, Kennington Oval, who, accompanied by three of her young ladies in search of information, had achieved this marvellous journey, and was then also in the Bush. Miss Creeble, having very unsettled opinions on the subject of gunpowder, was afraid that it entered into the composition of the fire before the tent, and that something would presently blow up or go off. Mr. Booley, as a more experienced traveller, assuring her that there was no danger; and calming the fears of the young ladies, an acquaintance commenced between them. They accomplished the rest of their travels in New Zealand together, and the best understanding prevailed among the little party. They took notice of the trees, as the Kaikatea, the Kauri, the Ruta, the Pukatea, the Hinau, and the Tanakaka – names which Miss Creeble had a bland relish in pronouncing. They admired the beautiful, aborescent, palm-like fern, abounding everywhere, and frequently exceeding thirty feet in height. They wondered at the curious owl, who is supposed to demanded ‘More Pork!’ wherever he flies, and whom Miss Creeble termed ‘an admonition of Nature against greediness!’ And they contemplated some very rampant natives of cannibal propensities. After many pleasing and instructive vicissitudes, they returned to England in company, where the ladies were safely put into a hackney cabriolet by Mr. Booley, in Leicester Square, London.

And now, indeed, it might have been imagined that that roving spirit, tired of rambling about the world, would have settled down at home in peace and honour. Not so. After repairing to the tubular bridge across the Menai Straits, and accompanying Her Majesty on her visit to Ireland (which he characterised as ‘a magnificent Exhibition’), Mr. Booley, with his usual absence of preparation, departed for Australia.

Here again, he lived out in the Bush, passing his time chiefly among the working-gangs of convicts who were carrying timber. He was much impressed by the ferocious mastiffs chained to barrels, who assist the sentries in keeping guard over those misdoers. But he observed that the atmosphere in this part of the world, unlike the descriptions he had read of it, was extremely thick, and that objects were misty, and difficult to be discerned. From a certain unsteadiness and trembling, too, which he frequently remarked on the face of Nature, he was led to conclude that this part of the globe was subject to convulsive heavings and earthquakes. This caused him to return with some precipitation.

Again at home, and probably reflecting that the countries he had hitherto visited were new in the history of man, this extraordinary traveller resolved to proceed up the Nile to the second cataract. At the next performance of the great ceremony of ‘opening the Nile,’ at Cairo, Mr. Booley was present.

Along that wonderful river, associated with such stupendous fables, and with a history more prodigious than any fancy of man, in its vast and gorgeous facts; among temples, palaces, pyramids, colossal statues, crocodiles, tombs, obelisks, mummies, sand and ruin; he proceeded, like an opium-eater in a mighty dream. Thebes rose before him. An avenue of two hundred sphinxes, with not a head among them, – one of six or eight, or ten such avenues, all leading to a common centre – conducted to the Temple of Carnak: its walls, eighty feet high and twenty-five feet thick, a mile and three-quarters in circumference; the interior of its tremendous hall, occupying an area of forty-seven thousand square feet, large enough to hold four great Christian churches, and yet not more than one-seventh part of the entire ruin. Obelisks he saw, thousands of years of age, as sharp as if the chisel had cut their edges yesterday: colossal statues fifty-two feet high, with ‘little’ fingers five feet and a half long; a very world of ruins, that were marvellous old ruins in the days of Herodotus; tombs cut high up in the rock, where European travellers live solitary, as in stony crow’s nests, burning mummied Thebans, gentle and simple – of the dried blood-royal maybe – for their daily fuel, and making articles of furniture of their dusty coffins. Upon the walls of temples, in colours fresh and bright as those of yesterday, he read the conquests of great Egyptian monarchs: upon the tombs of humbler people in the same blooming symbols, he saw their ancient way of working at their trades, of riding, driving, feasting, playing games; of marrying and burying, and performing on instruments, and singing songs, and healing by the power of animal magnetism, and performing all the occupations of life. He visited the quarries of Silsileh, whence nearly all the red stone used by the ancient Egyptian architects and sculptors came; and there beheld enormous singled-stoned colossal figures, nearly finished – redly snowed up, as it were, and trying hard to break out – waiting for the finishing touches, never to be given by the mummied hands of thousands of years ago. In front of the temple of Abou Simbel, he saw gigantic figures sixty feet in height and twenty one across the shoulders, dwarfing live men on camels down to pigmies. Elsewhere he beheld complacent monsters tumbled down like ill-used Dolls of a Titanic make, and staring with stupid benignity at the arid earth whereon their huge faces rested. His last look of that amazing land was at the Great Sphinx, buried in the sand – sand in its eyes, sand in its ears, sand drifted on its broken nose, sand lodging, feet deep, in the ledges of its head – struggling out of a wide sea of sand, as if to look hopelessly forth for the ancient glories once surrounding it.

In this expedition, Mr. Booley acquired some curious information in reference to the language of hieroglyphics. He encountered the Simoon in the Desert, and lay down, with the rest of his caravan until it had passed over. He also beheld on the horizon some of those stalking pillars of sand, apparently reaching from earth to heaven, which, with the red sun shining through them, so terrified the Arabs attendant on Bruce, that they fell prostrate, crying that the Day of Judgment was come. More Copts, Turks, Arabs, Fellahs, Bedouins, Mosques, Mamelukes, and Moosulmen he saw, than we have space to tell. His days were all Arabian Nights, and he saw wonders without end.

This might have satiated any ordinary man, for a time at least. But Mr. Booley, being no ordinary man, within twenty-four hours of his arrival at home was making the overland journey to India.

He has emphatically described this, as ‘a beautiful piece of scenery,’ and ‘a perfect picture.’ The appearance of Malta and Gibraltar he can never sufficiently commend. In crossing the desert from Grand Cairo to Suez he was particularly struck by the undulations of the Sandscape (he preferred that word to Landscape, as more expressive of the region), and by the incident of beholding a caravan upon its line of march; a spectacle which in the remembrance always affords him the utmost pleasure. Of the stations on the desert, and the cinnamon gardens of Ceylon, he likewise entertains a lively recollection. Calcutta he praises also; though he has been heard to observe that the British military at that seat of Government were not as well proportioned as he could desire the soldiers of his country to be; and that the breed of horses there in use was susceptible of some improvement.

Once more in his native land, with the vigour of his constitution unimpaired by the many toils and fatigues he had encountered, what had Mr. Booley now to do, but, full of years and honour, to recline upon the grateful appreciation of his Queen and country, always eager to distinguish peaceful merit? What had he now to do, but to receive the decoration ever ready to be bestowed, in England, on men deservedly distinguished, and to take his place among the best? He had this to do. He had yet to achieve the most astonishing enterprise for which he was reserved. In all the countries he had yet visited, he had seen no frost and snow. He resolved to make a voyage to the ice-bound arctic regions.

In pursuance of this surprising determination, Mr. Booley accompanied the expedition under Sir James Boss, consisting of Her Majesty’s ships the Enterprise and Investigator, which sailed from the River Thames on the 12th of May 1848, and which, on the 11th of September, entered Port Leopold Harbour.

In this inhospitable region, surrounded by eternal ice, cheered by no glimpse of the sun, shrouded in gloom and darkness, Mr. Booley passed the entire winter. The ships were covered in, and fortified all round with walls of ice and snow; the masts were frozen up; hoar frost settled on the yards, tops, shrouds, stays, and rigging: around, in every direction, lay an interminable waste, on which only the bright stars, the yellow moon, and the vivid Aurora Borealis looked, by night or day.

And yet the desolate sublimity of this astounding spectacle was broken in a pleasant and surprising manner. In the remote solitude to which he had penetrated, Mr. Booley (who saw no Esquimaux during his stay, though he looked for them in every direction) had the happiness of encountering two Scotch gardeners; several English compositors, accompanied by their wives; three brass-founders from the neighbourhood of Long Acre, London; two coach-painters, a gold-beater and his only daughter, by trade a staymaker; and several other working-people from sundry parts of Great Britain who had conceived the extraordinary idea of ‘holiday-making’ in the frozen wilderness. Hither, too, had Miss Creeble and her three young ladies penetrated; the latter attired in braided peacoats of a comparatively light maternal; and Miss Creeble defended from the inclemency of a Polar Winter by no other outer garment than a wadded Polka-jacket. He found this courageous lady in the net of explaining, to the youthful sharers of her toils, the various phases of nature by which they were surrounded. Her explanations were principally wrong, but her intentions always admirable.

Cheered by the society of these fellow-adventurers, Mr. Booley slowly glided on into the summer season. And now, at midnight, all was bright and shining. Mountains of ice, wedged and broken into the strangest forms – jagged points, spires, pinnacles, pyramids, turrets, columns in endless succession and in infinite variety, flashing and sparkling with ten thousand hues, as though the treasures of the earth were frozen up in all that water – appeared on every side. Masses of ice, floating and driving hither and thither, menaced the hardy voyagers with destruction; and threatened to crush their strong ships, like nutshells. But, below those ships was clear sea-water, now; the fortifying walls were gone; the yards, tops, shrouds and rigging, free from that hoary rust of long inaction, showed like themselves again; and the sails, bursting from the masts, like foliage which the welcome sun at length developed, spread themselves to the wind, and wafted the travellers away.

In the short interval that has elapsed since his safe return to the land of his birth, Mr. Booley has decided on no new expedition; but he feels that he will yet be called upon to undertake one, perhaps of greater magnitude than any he has achieved, and frequently remarks, in his own easy way, that he wonders where the deuce he will he taken to next! Possessed of good health and good spirits, with powers unimpaired by all he has gone through, mid with an increase of appetite still growing with what it feeds on, what may not be expected yet from this extraordinary man!

It was only at the close of Easter week that, sitting in an armchair, at a private club called the Social Oysters, assembling at Highbury Barn, where he is much respected, this indefatigable traveller expressed himself in the following terms:

‘It is very gratifying to me,’ said he, ‘to have seen so much at my time of life, and to have acquired a knowledge of the countries I have visited, which I could not have derived from books alone. When I was a boy, such travelling would have been impossible, as the gigantic-moving-panorama or diorama mode of conveyance, which I have principally adopted (all my modes of conveyance have been pictorial), had then not been attempted. It is a delightful characteristic of these times, that new and cheap means are continually being devised for conveying the results of actual experience to those who are unable to obtain such experiences for themselves: and to bring them within the reach of the people – emphatically of the people; for it is they at large who are addressed in these endeavours, and not exclusive audiences. Hence,’ said Mr. Booley, ‘even if I see a run on an idea, like the panorama one, it awakens no ill-humour within me, but gives me pleasant thoughts. Some of the best results of actual travel are suggested by such means to those whose lot it is to stay at home. New worlds open out to them, beyond their little worlds, and widen their range of reflection, information, sympathy, and interest. The more man knows of man, the better for the common brotherhood among us all. I shall, therefore,’ said Mr. Booley, now propose to the Social Oysters, the healths of Mr. Banvard, Mr. Brees, Mr. Phillips, Mr. Allen, Mr. Prout, Messrs. Bonomi, Fahey, and Warren, Mr. Thomas Grieve, and Mr. Burford. Long life to them all, and more power to their pencils?’

The Social Oysters having drunk this toast with acclamation, Mr. Booley proceeded to entertain them with anecdotes of his travels. This he is in the habit of doing after they have feasted together, according to the manner of Sinbad the Sailor – except that he does not bestow upon the Social Oysters the munificent reward of one hundred sequins per night, for listening.

Comments: Charles Dickens (1812-1870) was a British novelist and journalist. Household Words was a weekly magazine that Dickens edited and contributed to. Mr Booley was an elderly gentleman character created by Dickens who features in three Household Words pieces (a second was on Mr Booley’s experience of the Lord Mayor’s Show). Dickens was an enthusiastic viewers of panoramas and dioramas (see https://picturegoing.com/?p=4387). Those whose health is proposed at the end of the article are panorama showmen and artists, including John Banvard, Samuel Charles Brees, John Skinner Prout, Joseph Bonomi, James Fahey, Henry Warren, Thomas Grieve and Robert Burford.

Links: Available at Dickens Journals Online

Moving (Dioramic) Experiences

Source: Charles Dickens, ‘Moving (Dioramic) Experiences’, All the Year Round, vol. XVII, 23 March 1867, pp. 304-307

Text: The diorama is a demesne that seems to be strictly preserved for the virtuous and good. Those for whom the gaudy sensualities of the theatre are interdicted may here be entertained with the mild and harmless joys of an instructive diorama. At the doors going in, we may see the quality of the guests — benevolent-looking elderly men, dry virgins, a clergyman or two, and portly mammas with a good deal on their minds, who have brought the governess and all their young family. There is a crowd, and extraordinary eagerness to get in, though there, alas! often proves to be too much room. For these moral shows address themselves only to a limited area; though the limited area does not come forward so handsomely as it should do. Among such audiences there is a more resentful and jealous feeling about points of disagreement between them to the entertainment, such as not commencing — returning money and the like; the umbrellas and sticks, it may be remarked, are made more use of — I mean in the way of creating noise and the word “Shame!” is uttered from the back benches with more burning indignation. How often on the first night, say, of the Grand Moving Diorama of the Tonga Islands, when there has been a long delay, and something fatally wrong in the gasworks of the little town has prevented the despairing exhibitor from doing much more than show dim pictures, and transformations that miscarried dreadfully, how often have we not seen a bald head and glassy spectacles rise out of the Cimmerian gloom to which the character of the show inevitably consigns its audiences, and in what seems sepulchral accents address us on our wrongs. “We learn by our excellent weekly organ — not the one we hear in our place of worship — that this is Mr. Laycock, our “worthy” fellow-citizen, who has been for years a resident. He thinks we have been treated badly— outrageously; in fact, in the whole course of his long residence at Dunmacleary — then umbrellas and sticks give a round — he never recollected an audience — a highly intelligent and respectable audience (sticks and umbrellas again) — treated with such disrespect. What they had seen that night was a miserable and inefficient thing — a wretched imposture and take-in” (sticks again). The poor showman is always helpless, and from his “stand,” where he had been in such luxuriant language describing the beauties of foreign lands, excitedly defends himself, to cries of “No, no,” and umbrella interruptions. It was not his fault. He had arrived late “in their town.” He had been up all night (“Return the money”). It was the fault of their gasworks (groans), and he would mention names. Yes, of Mr. John Cokeleigh, the secretary (“Shame”), who assured him (great interruption at this unworthy attempt to defame the absent).

A really good diorama is a really high treat, and for the young an entertainment second only to the pantomime. Parents should encourage this feeling, instead of serving out those little sugar-plums, which are so precious to a child, as if they were dangerous and forbidden fruit, which might corrupt the morals and corrupt the soul. These joys are always made to hang awfully in the balance on the turn of a feather-weight, as it were — by well-meaning but injudicious parents.

Alas! do I not recal Mr. Blackstone, our daily tutor, a steady, conscientious, poor, intellectual “navvy,” who was reading nominally “for orders,” but, as it proved, for a miserable curacy, which he still holds, and I believe will hold, till he reaches sixty. This excellent man kept a mother and sisters “on me and a few more boys,” that is to say, by coining for two hours each day on tutorship. Mr. Blackstone kept a little judgment-book with surprising neatness, in which are entries which scored down, with awful rigidness, Latin, bene; Greek, satis; French, medi. This volume was submitted every evening at dinner to the proper authority, and by its testimony we were used according to our deserts, and, it may be added, with the result which the rare instinct of the Lord Hamlet anticipated on using people after their deserts. During this course of instruction, it came to pass that the famous Diorama of the North Pole arrived in our city. It had indeed been looked for very wistfully and for a long time, and its name and description displayed on walls in blue and white stalactite letters, apparently hanging from the eaves of houses, stimulated curiosity. Indeed, I had the happiness of seeing the North Pole actually arrive, not as it might be present to romantic eyes, all illuminated from behind, and in a state of transparent gorgeousness, but in a studied privacy and all packed close in great rolls. Later, I found my way up the deserted stair of the “rooms” where the North Pole had taken up its residence, and, awe-struck, peeped into the great darkened chamber where it reposed with mysterious stillness. There was a delightful perfume of gas, and the rows of seats stretched away far back, all deserted. The North Pole, shrouded in green baize, rose up gauntly, as if it were wrapping itself close in a cloak, and did not wish to be seen. A hammer began to knock behind, and I withdrew hurriedly. Somehow, that grand déshabille by day left almost as mysterious, though not so gay, an impression as the night view. But to return to Mr. Blackstone. Latterly, rather an awkward run of “satis” and “medis” had set in, and the pupil at that evening’s inspection of the books had been warned and remonstrated. With that rather gloomy view which is always taken of a child’s failings, he had been warned that he was entering on a course that would bring him early “to a bad end,” if not “to the gallows.” This awful warning, though the connexion of this dreadful exit with the “satis,” &c., was but imperfectly seen, always sank deep, and the terrors of the “drop” and a public execution sometimes disturbed youthful dreams. But, however, just on the arrival of the North Pole it was unfortunate that this tendency towards a disgraceful end should have set in. For the very presence of this pleasing distraction unnerved the student. It was determined that an early day should be fixed when the family should go, as it were, en masse, and have their minds improved by the spectacle of what the Arctic navigators had done. To the idle apprentice who was under Mr. Blackstone’s care, it was sternly intimated that unless he promptly mended, and took the other path which did not lead to the gallows, he should be made an example of. This awful penalty was enough from sheer nervousness to bring about failure, and when the day fixed for the North Pole came round, Mr. Blackstone said “it was with much pain that he was compelled to give the worst mark in his power for Greek, namely, ‘malè!'”

At this terrible blow all fortitude gave way, and, with a piteous appeal to tutorial mercy, it was “blubbered” out what a stake was depending on his decision, and that not only was the North Pole hopelessly lost for ever, but that worse might follow. Blackstone was a good soul at heart, and I recal his walking up and down the room in sincere distress as he listened to the sad story. He was a conscientious man, and when he began, “You see what you are coming to, by the course of systematic idleness you have entered on,” and when, too, he began to give warnings of the danger of such a course, with an indistinct allusion to the gallows, it was plain there was hope. After a good deal of sarcasm and anger, and even abuse, I recal his sitting down with his penknife and neatly — he did everything neatly — scratching out the dreadful “malè.” But his conscience would only suffer him to substitute a “vix medi,” a description which, in truth, did not differ much, but which had not the naked horror of the other. I could have embraced his knees. And yet suspicion was excited by this erasure, most unjustly, and but little faith was put in the protestations of the accused; for his eagerness to be present at the show was known, and he was only cleared by the friendly testimony of an expert as to handwriting.

That North Pole was very delightful. It seems to me now to be mostly ships in various positions, and very “spiky” icebergs. The daring navigators, Captain Back and others, always appeared in full uniform. They had all our sympathy. The most exciting scene was the capture of the whale, as it was called, though it scarcely amounted to a capture. When the finny monster had struck out with his tail and sent the boat and crew all into the air, a dreadful spectacle of terror and confusion, which caused a sensation among the audience, exhibited by rustling and motion in the dark, an unpleasantness, however, quickly removed by the humour of our lecturer, who, in his comic way, says, “As this is a process which happens on an average about once in the week, the sailors get quite accustomed to this ducking, and consider it rather fun than otherwise, as it saves them the trouble of taking a bath.” This drollery convulses us, and the youthful mind thinks what it would give to have such wit. Not less delightful was the scene where the seals were playing together on the vast and snowy-white shore, with the great “hicebergs” (so our lecturer had a tendency to phrase it) in the distance, and the two ships all frozen up. We had music all through, as the canvas moved on. And when our lecturer dwelt on the maternal affection of the wounded seal which was struggling to save its offspring, and declined to escape into the water, Mr. George Harker, the admired tenor (but invisible behind the green baize), gave us, with great feeling and effect — was it the ballad of “Let me kiss him for his Mother”?

Only a few years ago, when the intrepid navigators, M’Clintock and others, were exciting public attention, a new panorama of their perils and wanderings was brought out. Faithful to the old loves of childhood, I repaired to the show; but presently begun to rub my eyes. It seemed like an old dream coming back. The boat in the air, the wounded seal, and the navigators themselves, in full uniform, treating with the Esquimaux — all this was familiar. But I rather resented the pointing out of the chief navigator “in the foreground” as the intrepid Sir Leopold, for he was the very one who had been pointed to as the intrepid Captain Back.

Not less welcome in these old days was the ingenious representation of Mr. Green the intrepid aeronaut’s voyage in his great balloon “Nas sau.” There was a dramatic air about all that. The view of gardens, crowded with spectators in very bright dresses (illuminated from behind), and with faces all expressive of delight and wonder, and the balloon in the middle — a practicable balloon, not attached to the canvas. We could see it swaying as the men strove to hold it. I remember the describer’s words to this hour: “At last, all being now ready, Mr. Green, the intrepid aeronaut, and his companion entered the car, and having taken farewell of his friends, gave the signal to cast off, and in a moment the balloon rapidly ascended.” At the same time cheerful music behind the baize, “The Roast Beef of Old England,” I think, struck up, and the garden, wondering spectators, trees, all went down rapidly, the balloon remaining stationary. The effect was most ingeniously produced. I never shall forget the interest with which that voyage was followed. We had the clouds, the stars, the darkened welkin, all moving slowly by (to music). The crossing of the Channel by night, and the rising of the sun — wonderful effect! Plenty of rich fiery streaking well laid on. Then the Continent, and terra firma again; and how ingeniously was a difficulty got rid of. Necessarily, the countries we were to see from Mr. Green’s car could only be under faint bird’s- eye condition, and “so many thousand feet above the level of the sea,” which would make everything rather indistinct and unsatisfactory. We therefore took advantage of the interval between the first and second parts to get rid of our large balloon which blocked up the centre of the canvas, and changed it for a tiny one, which was put away high in the air, in its proper place, where it took up no room, and did quite as well as the other. However, at the close of the performance, when we had travelled over every- thing, and wished to see Mr. Green coining down, we took back our large balloon, and were very glad to see it again, and the wondering faces of the Germans.

There is one scene which the dioramic world seems inclined not willingly to let die. At least it somehow thrusts itself without any regard to decent dioramic fitness upon every kind of diorama indiscriminately. Any student will know at once that I allude to the Church of the Holy Sepulchre at Jerusalem. This seems to have a sort of fascination for the painters. I never knew a single show that had not this church “lugged in” head and shoulders, or rather porch and pillars, either at the beginning or at the end. I am afraid this is from no spirit of piety or veneration, but simply from the favourable opening the church presents for changing from a daylight view to a gorgeous “night effect.” They know, too, that the good are among the audience in strong force, and that is touching the true chord. We know by heart the clumpy Byzantine pillars and the Moorish arches, and the stairs down to the right, and the round globes of white light lamps burning, and the men in turbans kneeling.

Suddenly we hear the harmonium behind, and the voices of Mr. George Harker, the admired tenor, and Miss Edith Williams, the (also) admired soprano, attuning their admired voices together in a very slow hymn; and gradually the whole changes to midnight, with a crypt lit up with countless lamps and countless worshippers. A dazing and dazzling spectacle, the umbrellas of the good and pious becoming deafening in their approbation. Taken as an old friend, that I have seen in every town in the kingdom, I have an affection for this crypt and its transformation; but still I know every stone in it by heart. Where was it that I saw the DIORAMA OF IRELAND, with “national harps and altars,” “national songs and watchwords,” “national dances and measures,” all in great green letters, made out of staggering round towers and ruined abbeys? — appropriate songs and dances by Miss Biddy Magrath. Where but is an Irish town rather towards the north. I recal the lecturer, a very solemn man, who preached a good deal as the canvas moved on to music — it is a law that canvas can only move to music; and a city with bridges, &c., and a river would slowly pass on, and stop short when it was finally developed. Our lecturer would say, sadly, as if he were breaking a death, “LIM-ER-ICK! the city of the vier-lated te-reaty!” The result of this announcement in the northern town was a burst of hisses, with a counter-demonstration from the back benches. The grand scene, however, was when a bright and gay town came on, and was introduced as “DERRY, THE MAIDEN CITY!” Then there was terrific applause, and even cheers, with a counter-demonstration from the back. It will be conceived that this state of things did not conduce at all to the success of the diorama, and it was very shortly withdrawn from its native land, and exhibited to more indifferent spectators. And yet Miss Magrath’s exertions, both in singing and dancing, were exceedingly arch, and deserved a better fate.

The lecturers are always delightful. What were they — I always think while waiting for the green baize to be drawn — before they took to this profession? Is it a lucrative profession? — by the way, it certainly must be a limited one. How he must get at last absolutely to loathe the thing he described, and yet he always looks at it as he speaks with an air of affection; but in his heart of hearts he must loathe it, or be dead to all human feelings and repugnances. For only consider the “day performance” at two — the night one at eight. Yet he always seems to deliver it with an air of novelty, and an air of wisdom, too, and morality, which is not of the pulpit, or forum, but simply dioramic. It is only when he descends to jests and joking that he loses our respect. A little story of his goes an immense way, especially anything touching on love or courtship. “There,” he says, speaking of the prairies, “the vast rolling plains are covered with a rank lugsurious and rich verjoor. There we can see the solitary wigwam, with the squaw preparing the family kettle, unencumbered by their babies. They have an excellent way in the prairies of dealing with troublesome appendages. Every child is made up into a sort of case or bandage, as depicted in the foreground of the scene. When they are busy, they simply hang them on a tree to be out of the way.” Every father and mother laughs heartily, and with delight, at this humorous stroke. Perhaps the pleasantest of the whole round was a certain diorama that called itself “The Grand Tour,” and which carried out the little fiction of its visitors being “excursionists,” and taken over every leading city on the Continent. We were supposed to take our tickets, “first-class,” at London- bridge, embarked in a practicable steamer at St. Katharine’s Wharf, with its rigging all neatly cut out, so that, as we began to move—or rather, as the many thousand square feet of canvas began to move — we saw the Tower of London, and various objects of interest along the river passing us by. The steamer was uncommonly good indeed, and actually gave delicate people present quite an uncomfortable feeling. Presently all the objects of interest had gone by, and we were out at sea, with fine effects by moonlight, fine effects by blood-red sunrise, and then we were landed, and saw every city that was worth visiting. Against one little “effect” some of our “excursionists” — among the more elderly — made indignant protest. When we were passing through Switzerland and came to Chamounix, where there had been a prodigal expenditure of white paint and a great saving in other colours, and found ourselves at the foot of the great mountain — I forget how many thousand feet above the level of the sea, but we were told to a fraction our lecturer warmed into enthusiasm, and burst out into the lines:

Mont Blanc, the monarch of mountains,
In his robe of snow, &c.

But the greatest danger that menaces us is what our lecturer calls the “have-a-launch,” which must be a very serious thing indeed. “Often ‘ole villages may be reposing in peaceful tranquilhity, the in’abitants fast locked in slumber, when suddenly, without a note of preparation” —- Exactly, that is what such of us as have nerves object to — a startling crash produced behind the baize — a scream among the audience — and the smiling village before us is buried in a mass of snow—white paint. It is the “have-a-launch.” This is the grand coup of the whole. Why does the music take the shape of the mournful Dead March in Saul?

Yet even dioramas have the elements of decay. Sometimes they light on a dull and indifferent town, and get involved in debt and difficulty. The excursions can’t pay their own expenses. I once saw a diorama of the Susquehanna, covering many thousand square feet of canvas, and showing the whole progress of that noble river, sold actually for no more than five pounds. I was strongly tempted, as the biddings rested at that figure. It would be something to say you had bought a panorama once in your life.

Comments: Charles Dickens (1812-1870) was a British novelist and journalist. All the Year Round was a literary periodical that Dickens founded and initially edited, as well as contributing material. Although the piece was written in 1867, Dickens is mostly recalling shows from the 1830s. Moving panoramas (or moving dioramas) of the kind described by Dickens combined panoramic paintings that scrolled pass the viewer with lighting effects and music. Among the panoramas to which he refers are David Roberts’ Moving Diorama of the Polar Expedition (1829) and Aeronautikon! or, Journey of the Great Balloon, originally created in 1836 by panorama specialist the Grieve family and inspired by a balloon flight from Britain to Germany undertaken by Charles Green. These particular panoramas, and Dickens’s commentary, are discussed in Erkki Huhtamo’s book Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles (2013).

Links: Copy at Dickens Journals Online

The Waterloo Panorama

Source: Felix M’Donogh, ‘The Waterloo Panorama’, in The Hermit in London; or, Sketches of English Manners vol. 1 (London: H. Coulburn, 1819), pp. 159-167

Text: “I have just returned with my uncle, the General, from the Panorama of Waterloo,” said Lady Mary. “He described the action so well, that I really could see the Cuirassiers charge three distinct times, could in return hear the Scottish Royals and immortal Greys shout ‘Scotland for ever.” I could see them hew in pieces the steel-clad warriors of France, could see Napoleon’s countenance change at the operations of ‘ces terribles chevaux gris,’ and could behold its expression of consternation, as when leaning over the horse of his peasant guide, and discerning the columns of Prussians advancing like a cloud in the horizon, he exclaimed, ‘tout est perdu!’ […] I advise you to go and see it: it is well worth your while; and I trust that the scene will have interest for a Briton a century hence, when we and when our’s are no more. Our heroes have gathered their laurels in vain, unless the dews of immortality falling from on high preserve them; the brave but sleep, the coward perishes and is forgotten.” Here a glow of heroism lit up her countenance, and she appeared to me something more than woman.

I now prepared to follow her advice; and went directly to the Panorama. The room was crowded with company, and the representation was just what she had described. Luckily for me, I fell in with an officer of the intrepid Scotch Greys, who gave me much information on the subject: that corps covered itself with glory; and of course, no one was better able to describe the battle, than one who had so much contributed to its renown.

When the officer had concluded his observations, I retired to a corner in order to observe the company. In all assemblages of people, a spectator may learn much. The following is a roughly sketched outline of what struck me most.

There were groups of all classes, and feelings of as many descriptions: — The man and woman of quality, proud to distinguish on the canvass some hero who added lustre to their name,— the female of sensibility, who heaved the deep sigh for some relative or bosom friend left on the bed of glory,— the military spectator, who had been an actor in the scene, and who, pride beaming in his countenance, yet wrapt in silence, looked on the representation of that awful and eventful reality,— or the garrulous but worthy veteran, who saw his own deeds of arms live again in the pictured story, and who, bereft of an arm or of a leg, and leaning on a friend, indulged in the gratifying account of what his country owed him, whilst,

“Thrice he routed all his foes,
“And thrice he slew the slain.”

There also was the exquisite militaire, youthful and blooming, affected and vain, lounging with an air of sans souci, a toothpick or a violet in his mouth, a quizzing-glass either suspended round his neck or fixed in the socket of his eye, seeming to disdain taking an interest in the thing, yet lisping out, “Upon my thoul, it’s d–d like, d–d like indeed,— yeth, that’s just the place where we lotht tho many men, — it’s quite ridicttlouth, how like it ith.” What a contrast! so much valour, yet so much feminine conceit, starch and perfume, whalebone and pasteboard! It is however not less true, that these fops, who take so much care of their pretty persons out of the field, take no care of them in it.

Here were idlers looking at the action merely as a picture; and there were vacant countenances staring at nothing but the company:— in one place a fat citizen came in merely to rest himself; and in another, a pretty brunette of the second class, whose only business was to meet my Lord. In a third corner I could see a happy couple enjoying the short space previous to a permanent union, and who came here for fashion’s sake, or to be alone in the world, and thus to escape the attention of a smaller circle; for there exists a certain retirement or solitude in crowds, known only to the few. This couple took as much interest in the battle of Waterloo as in the fire of London.

At the entrance were some jealous painters looking out for defects in the piece; and in the doorway was a covey of beauties surrounded by fashionables, who seemed scarcely to know why they came there, and enjoying nothing but their own conversation. “What a squeeze at the Dowager’s last night?” drawls out a male coquette. “Monstrous pleasant party at Lord Foppinglon’s!” lisps another epicene-looking thing; “if,” continued it, “the fat Countess had less rage for waltzing, and the old Dandy would give up sailing through the quadrille;” “or,” (observed a British lady clad in everything from France, and covered with folds of drapery, circles of ribbons and tucks, tier over tier of flounce, and quillings of lace and puffings of all sorts, in the directly opposite extreme to the flimsy garments in which the ladies appeared a few years since, as if they were sewed up in a tight bag; not to forget her waist, which ended where it once begun, and the hump betwixt: her shoulders, so thick with wadding that it must be nearly bombproof)— “Or if,” exclaimed she, “the Duchess’s proud daughter, who seemed to doze through the figure of the dance, and to look upon all possible partners as beneath her, had been absent.”

“Not so with Lady Evremont,” exclaimed a disdainful woman of quality, (whose short upturned nose, step à la Française, rapid delivery in discourse, and fiery eye, bespoke heat of temper and swelling of pride),— “not so with her ladyship! she thought herself the very loadstone of attraction, and considered dancing as a loss of time. I am sure if I were her husband —” “You would,” interrupted an elderly Exquisite of sickly composure but of satirical dissatisfied aspect,— “you would do just what her husband does, namely, not care sixpence about her, but leave her to herself.” This produced a general laugh, but in the moderate key of fashionable mirth; for the whole circle was composed of her enemies.— Why? Because she is beautiful.

“What brought you here, Sir George?” sighed out a languid looking widow of fashion. “The attraction of your beauty.” “Stuff!” exclaimed the widow, in a more animated tone, biting her lips (not spitefully but playfully) and twinkling her eyes. “And you, Major?” ” A shower of rain,” replied the Hibernian. “Oh! then I have nothing to do with your coming.” “Nothing, except (recovered Pat) that whilst it rains without, you reign within, in every heart and in every mind.” “None of your nonsense!” cried the Widow, putting her hand on his lips. “I hate flattery — blarney I believe you call it.” “Just what you please; truth is truth still, in English, Irish, or even Dutch,” concluded he. The lady appeared delighted; but turning round to a boarding-school cousin, endeavoured to hide her satisfaction by saying, “I do hate so many compliments.” I extricated myself from this buz of high life, giving and receiving acknowledgments from those of my acquaintance who formed a part of the circle; and on my exit, I perceived some wry faces and some discontented looks at the door. These were French people come over here, all with, a view of gain, in some shape or other, but who sickened at any thing which lowered France, avec ses armées victorieuses, which so long gave laws to the greater part of Europe, but could never dictate them to us. As much was said by the French, about their Légion d’Honneur and Napoleon’s Invincibles, as ever ancient history has trumpeted concerning the sacred battalion commanded by Pelopidas, but I did not stay long to listen to them.

Comments: Felix Bryan M’Donogh (1768?-1836) was an Irish soldier then essayist, who wrote a series of travel books under the name of ‘The Hermit’. The Panorama was an invention of the artist Robert Barker, who patented a means of exhibiting a large, highly realistic landscape painting on the inside of a cylindrical building. It was first exhibited in Edinburgh in 1788, and moved to London’s Leicester Square in 1793, where it remained a popular (and much imitated) attraction for seventy years. The Waterloo panorama was painted by Barker’s son Henry Aston Barker and was first exhibited in Leicester Square in 1816, a year after the Battle of Waterloo itself.

Links: Copy at Hathi Trust

Tinker's Mufti

Source: Basil Peacock, Tinker’s Mufti: Memoirs of a Part-Time Soldier (London: Seeley, 1974)

Text: The first entertainment I recall, for which one had to pay, was a panorama display in the town hall. It was mainly educational and consisted of a series of enormous canvases depicting scenes from Switzerland and Italy passing across a stage from one roller to another. The scenes were brilliantly coloured and lit, and a man gave a running commentary as they passed across. Towards the end of the performance, he announced that for the first time in Newcastle actual moving pictures would be shown on a screen. I remember that the actors in them looked foreign and appeared to be moving in heavy rainstorms. A few years later, moving pictures were shown in our church hall for the benefit of children in the Band of Hope. I remember seeing the first epic film, The Great Train Robbery, and being terrified when the steam engine seemed to be coming off the screen and into the audience.

Comments: Basil Peacock (1898-1991) was a dentist, a soldier, and a radio broadcaster, whose childhood was spent in Newcastle. There is more than a suggestion of mixed memories here. It is unlikely (if not impossible) that a panorama exhibition was combined with motion pictures, which were first shown on a screen in Newcastle two years before Peacock was born. The 1903 dramatic film The Great Train Robbery does not feature a scene in which the train comes at the audience (an effect more commonly ascribed to the 1896 Lumière film L’Arrivée d’un train).