Tag Archives: Performers

Cinemas and Cemeteries

Source: Richard Carr, ‘Cinemas and Cemeteries’, World Film and Television Progress, vol. 2 no. 2 (May 1937), pp. 18-19 Text: Once synonymous with suburban snobbery, Tooting to-day is a progressive and up-to-date suburb, contrasting favourably with its encircling neighbours, Balham … Continue reading

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Still in the Dark

Source: Jessie Lee, extract from audiotape interviewee recorded 5 July 1994, quoted in Gregg Bachmann, ‘Still in the Dark – Silent Film Audiences’, Film History, Vol. 9, No. 1 (1997), pp. 23-48. Text: We always looked forward to going there … Continue reading

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Silent Magic

Source: Ivan Butler, Silent Magic: Rediscovering the Silent Film Era (London: Columbus Books, 1987), pp. 27-31 Text: During the early part of the 1920s my own cinema-going was restricted by the confinements of boarding-school during term time, and in the … Continue reading

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Speedsters Replace Cowboys

Source: Thomas Baird, ‘Speedsters Replace Cowboys’, World Film and Television Progress, vol. 2 no. 12 (March 1938), p. 20 Text: A little over twenty years ago, I started to go to the pictures. I was then a small boy living … Continue reading

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British Cinemas and Their Audiences

Source: J.P. Mayer, British Cinemas and their Audiences: Sociological Studies (London: Dennis Dobson, 1948), pp. 198-201 Text: AGE: 20 SEX: F. OCCUPATION: SHORTHAND-TYPIST NATIONALITY: BRITISH FATHER’S OCCUPATION: POLICE CONSTABLE MOTHER’S OCCUPATION: HOUSEWIFE I have not the time to be a … Continue reading

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Indirect Journey

Source: Harold Hobson, Indirect Journey: An Autobiography (London: Weidenfeld and Nicolson, 1978), pp. 152-153 Text: Not only did we shout on the roads, but we also sometimes made a noise in the cinema, too, and in the theatre – not, … Continue reading

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Sociology of Film

Source: J.P. Mayer, Sociology of Film: Studies and Documents (London: Faber and Faber, 1946), pp. 136-138 Text: Another possibility of getting at the children’s film taste is by listing their answers to question 23 of our questionnaire. They are as … Continue reading

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Bertolt Brecht Diaries 1920-1922

Source: Bertolt Brecht (trans. John Willett), diary entry for 29 October 1921, in Herta Ramthun (ed.), Bertolt Brecht Diaries 1920-1922 (London: Eyre Methuen, 1979), pp. 140-141 Text: Then I saw a little one-acter of Charlie Chaplin’s. It’s called The Face … Continue reading

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