Source: Leila Berg, Flickerbook (London: Granta Books, 1997), p. 81

Text: Everyone in our street went to Town to see The Jazz Singer. (Not Mrs Taylor. But Louis went.) It spoke! The picture spoke! Everyone was calling to each other in the seats. I was afraid they wouldn’t stop calling when it started. This is the first time ever in the whole world a picture has spoken.

The grown-ups were crying all the time. All the way through. Especially when he sang Mammy, and Kol Nidre. They were crying and wiping their eyes. Everyone thought when he sang Mammy he was singing to them, that they were his mammy, and he was their boy. When they came out, they were saying, ‘A Yiddishe boy, nu!’ as if they were very happy. But they were still crying.

Just one grown-up crying makes you cold inside, because you need them to be happy. But they were crying at the Mammy song and being happy at the same time. I don’t understand it.

Comments: Leila Berg (1917-2012) was a British children’s author, journalist and campaigner. Her innovative memoirs describes her childhood among Manchester’s Jewish community as though the events were live experiences rather than recollections. The Jazz Singer (USA 1927) was the first feature film with spoken dialogue (via synchronised discs) but not the first film of any kind in which words were spken, as many short sound films has preceded it.


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