The Legion of Decency

Source: Extracts from Mary J. Breen, ‘The Legion of Decency: Running a Movie Theater in the 1950s’, http://the-toast.net/2015/11/10/the-legion-of-decency-running-a-movie-theater-in-the-1950s/, originally published as ‘The Legion of Decency’, The Windsor Review, 48:1, Spring 2015

Text: In 1949, when I was five, my cautious Catholic parents bought a movie theatre in a Lutheran-Mennonite village in southern Ontario. My mother later told me they were trying to give my father a break from teaching high school—a rest from the long hours, the conscientious prep and marking, and the stress of dealing with unruly teenagers. What it doesn’t explain is why he of all people agreed to buy a theatre of all things that depended on movies from, of all places, Hollywood.

But I was much too young to ask any of those questions. All I knew was that The Regent Theatre was a wonderful place. I didn’t care that “our show,” as my parents called it, was a low, dark hall that had once been a hotel livery stable. I didn’t care that it was nothing like the grand movie palaces in Toronto that my mother took me to every summer. I didn’t care that the marquee lights didn’t flash, and the maroon curtains covering the screen were heavy with dust, and the plush seats were half-bald and prickled our bare legs in the summer. I didn’t care that we had no snack bar or velvet ropes or uniformed ushers. Instead of perfumed bathrooms, we had smelly outhouses out the back. Instead of soft carpets, we had concrete floors sticky with gum, candy wrappers, and cigarette butts. I didn’t care. I loved being there. I loved helping my father unfurl the loud, garish posters and tack them into the display boxes out front. I loved helping him sweep up on Saturday afternoons. I loved roller-skating fast down one aisle, across the front, and seeing how far I could coast up the other aisle, knowing all the while that the gunfights and runaway stagecoaches would be back in just a few hours.

All of us kids loved the movies, whether they were tales of cowboys or soldiers, pirates or sultans. We also understood them as they echoed the familiar justice of the playground and the Bible: the bad were always punished, and the good always inherited the earth. As soon as Mighty Mouse or Heckle & Jeckle ended and we heard the opening bars of the newsreel, most of us kids would run out past my mother yelling, “We’ll be back!” We’d race to the corner store where we’d cram little paper bags with gum, jaw breakers, banana marshmallows, red licorice sticks, and black liquorice pipes, and then tear back in time for the double bill. My parents never cared if someone without a quarter slipped in with the rest of us. Back in our seats we’d figure out who the good guys were, and then set about helping them by yelling things like, “Look out!” or “Run!” or “Behind the door!” We’d also clap and holler when help arrived, often the US Cavalry charging over the same hill the silent Indians had lined up on minutes before. The fun of it came back to me years later when I was watching Apollo 13 on TV. I cheered out loud when Tom Hanks’ voice came crackling through the clouds. The heat shields had held! That’s what it felt like at our show, week after week after week.

[…]

Then, in 1953, things changed. One night as my father was getting me ready for bed, I started raving on about how, when I grew up, I was going to be either a real cowgirl or a cowgirl in the movies where I’d get paid to play Maple Leaf with great costumes and real horses. He turned to me, his face dark and sober. “I don’t want to hear about Hollywood. It’s a heathen, godless place where everyone is divorced and has far too much money for their own good!” I was stunned. It was the very first time he’d ever scolded me. Then he went on to say I needed to start adding Three Hail Marys for Purity to my nightly prayers. “Remember,” he said, “God knows your every thought, word, and deed. With Almighty God we have no secrets.” I had no idea what he was talking about except that I had better keep my thoughts about the movies to myself.

Comments: Mary J. Breen is a Canadian author who has written two books on women’s health and has published widely in newspapers, magazines and online. Her father was a member of the Christian Brothers order but married before taking his final vows. Her parents ran a cinema despite the Catholic Church’s strong objections to aspects of the film industry, exemplified by the National Legion of Decency and its blacklisting of films to which it objected on moral grounds. After giving up the cinema her father never saw another film. My thanks to Mary J. Breen for permission to reproduce these extracts from her essay on her parents and their cinema venture.

Links: Full article at The Toast

How to Enjoy the Movies

Source: Anon., ‘How to Enjoy the Movies’, Peterborough Examiner, Oct. 12, 1921, p.14

Text: You think you will drop in to the “movies” for a few minutes, and if happens to be the [theatre where] they have those luxurious wicker chairs, you choose a handy one, right near the aisle, and settle back. There is a nasty rain outside, but in here it is nice and warm and comfortable.

Presently a party of young people come in and settle directly behind you. They appear to be a great many of them. They make a loud noise and spend some time selecting seats. After two or three bumps, you sit forward until they are all settled. A cautious look around reveals that there are only four, two of each sex. One of the girls is powdering her nose and the other seems to be looking for something on the floor. She wriggles around, finally locates it, and settles down. Then they begin in earnest. The girls read the titles aloud and make remarks about them in half-whisper. They giggle about every little while and tell all they know about the actors in various pictures. It is a good deal. The vaudeville arrives, and they recognise one of the performers as an old acquaintance who visited the town some years ago. They know a good deal about his private life and tell each other. The young man directly behind you appears to have some difficulty with his knees. Every once in so often he changes their position and makes you get it in the back. He makes no excuse however. You look around. There are no other aisle seats vacant, so you resolve to endure to the bitter end. The young fellow at the farther end is very silent. The girls decide that he has gone to sleep and start to “kid” him. Their voices are louder now, and they giggle at every remark. Suddenly something descends upon your head. You have been contemplating the picture, and it is rather a shock. You are surprised. No excuse is made. Then whispering ensues. Then the young man directly behind proffers some information about the dancer, but is contradicted immediately by the girl next him who says she knows all about that young lady. He subsides into a morose silence, and gives you another vicious jab in the rear with his replaced knee. You shift your chair a little. The girls think they want some place to rest their feet, so turn to two vacant chairs around and in doing so knock your elbow. No excuse is made. They arrange their two pairs of feet on the cushioned chairs, and another era of whispering, giggling, fussing, conversation starts in. The comedy provides some situations which give them a chance to snicker. They do so. The young man re-adjusts his feet once more, and nearly capsizes your chair. No excuse is made. You move a couple of feet, and quiet down a bit. Then the girl says she wants to go and sit beside “Jack,” who is at the farther end, and the other one won’t let her. A slight scuffle ensues. The young men say nothing. You can hear him just behind re-arranging his feet once more, but this time you are out of range, so it doesn’t matter. The feature unrolls its romantic story, and the girls whisper and giggle some more. They are talking about another girl now, and enjoying themselves immensely. Finally the hero embraces the heroine, the young man changes his position for the last time, and you all go home.

Comments: This article appears in a Canadian newspaper, but may originate from another source. My thanks to Robert Clarke for bringing this piece to my attention.