Tag Archives: Beau Geste (1926)

Indirect Journey

Source: Harold Hobson, Indirect Journey: An Autobiography (London: Weidenfeld and Nicolson, 1978), pp. 152-153 Text: Not only did we shout on the roads, but we also sometimes made a noise in the cinema, too, and in the theatre – not, … Continue reading →

by Luke McKernan Posted on June 18, 2016

Posted in 1920s, Memoirs, United Kingdom | Tagged Audiences, Beau Geste (1926), Cinemas, Foolish Wives (1922), Harold Hobson, Noise, Oxford, Performers | Leave a comment

Movies and Conduct

Source: ‘College senior, a girl of 22 years, of native white parentage’, quoted in Herbert Blumer, Movies and Conduct (New York: Macmillan, 1933), pp. 213-217 Text: Considerably influenced by the gospel of H.L. Mencken and George Jean Nathan, I have … Continue reading →

by Luke McKernan Posted on March 5, 2014

Posted in 1910s, 1920s, Reports and studies, USA | Tagged A Woman of Affairs (1928), Beau Brummell (1924), Beau Geste (1926), Children, Cinemas, Clarence (1922), Crying, Fear, First impressions, Get-Rich-Quick Wallingford (1921), Imitation, King of Kings (1927), Monsieur Beaucaire (1924), Morality, Parents, Penrod and Sam (1923), Performers, Robin Hood (USA 1922), Serials, Ten Nights in a Bar Room (1921), The Affairs of Anatole (1921), The Ten Commandments (USA 1923), The Three Musketeers (1921), Westerns, When Knighthood was in Flower (1922), White Shadows in the South Seas (1928) | Leave a comment

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Tag Archives: Beau Geste (1926)

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