Source: H.G., quoted in J.P. Mayer, Sociology of Film: Studies and Documents (London: Faber and Faber, 1946), pp. 113-114
Text: I do not know wether [sic] I am to be considered lucky that I happened to have a wireless on when the Brainstrust [sic] was discussing the subject on which I am going to endeavour to write about.
First the cinemas [sic] good points.
One is always sure of being able to hear and see what is going on. Whereas in the thatre [sic] you are not, unless one is very near the stage, a position which is not very suitable because one can see the actors and actresses make-up.
In wartime the theatre is apt to be drab and the costumes look as if they have seen better days, also in the films one does not expect colour, unless it is in Technicolour [sic] which is very pleasing to the eye in days of war.
Once I was in the pictures seeing a film in Techni-colour called Best Foot Forward with Lucille Ball it was lovely, and the warning went, it was a very heavy raid, but I was much to interested to think about it.
I do not think that the theatre could get one, so concentrated in programme, to forget about it.
Unless one is fond of comedy the theatre can be very boring, if the artists are not good. But films must be good or at least good enough to pass the critics (who allows the films fit for the public).
Plays are not too bad in theatres, but are also apt to be boring.
Last year my sister took my mother and I to see Arsenic and Old Lace. Mummy hated it, but would not tell my sister so because it may have hurt her feelings.
Mummy hated it because (a) She could not hear properly and only caught snatches of the conversation; (b) She was bored stiff, because all they seemed to do was open and shut a box by the window.
I like plays, and during the examinations I went to see The Lisbon Story it was a very spectacular show, and we had a very good seat, which makes all the difference.
In the cinemas it is warm and not so draughty as theatres.
In the theatre one is seeing the thing actually being done, and every thing is more or less real, where as in the cinema, one is seeing something that has been practised to perfection, and if one is seeing what I term a THRILLER! one knows that if somebody in the picture has been killed he or she is not really dead.
So … on the whole I think pictures are better, most of them come from Hollywood and America has all the best stars and I do not think the english [sic] film star has a chance.
In the pictures the story has been picked out and the unnecessary parts cut and the best parts brought out, and in my opinion the films are infinately [sic] better than the theatre and if not in your opinion, better, they are very good entertainment, and I don’t know what a lot of us would do without them.
Comments: J.P. (Jacob Peter) Mayer was a German sociologist at the London School of Economics. His Sociology of Film draws on a large amount of evidence gathered through questionnaires and submissions received through invitations published in Picturegoer magazine. The above response comes from the section ‘Children and Adolescents and the Cinema’. The contributors for this section came from a school in Hampstead, with the children being described by Mayer as female, mostly middle class, on average not older than twelve-and-a-half.
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