Source: ‘Female, 20, white, college sophomore’, quoted in Herbert Blumer, Movies and Conduct (New York: Macmillan, 1933), p. 136
Text: The first film plot which ever made an impression on me was “Reaching for the Moon,” which starred Douglas Fairbanks. This film had the usual exciting Douglas Fairbanks episodes, but it ended with the disclosure that they had all been a dream. Hitherto I had watched movies with an absorbing interest and entered unreservedly into the life portrayed, but after that I began to think about the reality of them, and began to question their validity. At first I was afraid that it all might be a dream again, and then I just began to think about the true life relationships. I began to compare the movies with life as I knew it. I began to be skeptical about many phases of movies. For the first time I realized that the effects presented were gained by technique and not by actual daring. I became curious about, and interested in, the methods by which various scenes were produced and I found out about “doubles” and artificial scenery and queer photography.
As a result of the impersonal attitude I began to have toward the movies, I felt sorry for the men who had to play the villain’s part, while before I had sincerely hated them. My ambition to be a motion-picture actress was chilled considerably when I discovered that the action was not filmed consecutively. One of the charms of that profession, as I had formerly conceived it, was the living of those exciting and lovely stories which always turned out so well if one were the hero or the heroine. Having to separate the scenes would spoil it all.
Comments: American sociologist Herbert Blumer’s Movies and Conduct presents twelve studies of the influence of motion pictures upon the young, made by the Committee on Educational Research of the Payne Fund, at the request of the National Committee for the Study of Social Values in Motion Pictures. The study solicited autobiographical essays, mostly from undergraduate students of the University of Chicago, and presented extracts from this evidence in the text. This extract comes from the section ‘Emotional Detachment’. This film referred to is Reaching for the Moon (USA 1917), not the later Douglas Fairbanks film of the same title from 1930 (which is not a remake).
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