Source: Clarence Arthur Perry, The attitude of high school students toward motion pictures (New York: National Board of Review of Motion Pictures, 1923), pp. 41-44
Text: Slapstick or vulgar:
I do not like the vulgar comedies that are sometimes shown.
It is most disgusting to watch these people throw things at each other and act silly.
I do not like comedies in which the principal characters spend a great deal of time bombarding each other with cakes, pies, etc.
I dislike many of the so-called comedies which are humorous only to the feeble-minded.
I like comedies when they are really funny, but the ones where they fight and throw pies in people’s faces are absolutely silly.
I dislike those comedies in which they rush you all about most of the time.
I don’t like foolish, silly comedies that are meant to make you laugh at any cost, even resorting to certain vulgar experiences and actions.
Not true to life:
Pictures that do not happen in every-day life I do not like.
I don’t like pictures where the hero is always having hair-breadth escapes and never gets hurt.
I don’t like comedies where a man runs over a bank and has a sensational fall and comes out alive.
Pictures showing impossible feats do not appeal to me.
I don’t like pictures in which the worthy but poor young man, against impossible conditions, wins the hand of the young millionairess.
I don’t like pictures with real slush and unnatural plots, involving divorce, suicide and all sorts of utterly impossible stunts.
I don’t like a picture in which a small man attacks about a half dozen men larger than himself and throws them off of houses and bluffs.
I don’t like the dime novel brand of thriller where the hero is always in great danger at the end of each episode.
Those stories in which the hero comes out without a scratch and gets the girl he wants are the bunk.
I don’t like pictures that seem unreal in everyday life; for example, a blind man gets back his eyesight, a thing that hardly happens every day.
I dislike pictures where the hero can do nothing wrong, and the villain is so mean he can do nothing good.
Mushy or over-sentimental:
I don’t like stories where they are always hugging and kissing during the whole show.
Of course everyone enjoys a love story once in a while, but there is too much hugging and kissing usually in the shows.
I don’t like those mushy pictures where the fellow falls over himself for the girl.
I don’t like silly love stories which don’t build up character.
I don’t like love stories with a lot of fuss.
I don’t like slushy pictures with too much display of affection.
I loathe and detest that sentimental wishy-washy stuff.
The kind of picture I do not like is the kind whose plot is old and has been told and retold and each time is but the warmed-over edition of the previous story.
I do not like these long-drawn-out senseless pictures that can be told in half an hour instead of two and a half hours.
I don’t like pictures that are made to give one thrill after another; the facts are too easily comprehended and thus spoil what good there might be in the picture.
I don’t like pictures which are padded.
I don’t like pictures where there is no plot, or no main idea to them.
I don’t like pictures without a plot, for instance, “Neptune’s Bride.”
I don’t like pictures where the whole plot consists of a girl who dances before a cheap audience.
I don’t care for the average “clever” picture that has no plot, background, purpose or scarcely any other of the essential qualities of a good film.
Pictures such as “Back Pay” should not be released; they are not interesting, educating or entertaining and only wreck the reputation of a good theatre. Many pictures like those are given harmless names and passed off on the public, while such as “Male and Female” as directed by Cecil de Mille drive crowds away from a good show by a suggestive name.
I don’t like a picture that shows the vamps and such like.
I don’t like pictures that are vile and that you have to be ashamed of.
I do not like pictures that are so personal that they are embarrassing for a boy and girl to go together to see.
I absolutely despise the over-emotional love story and bedroom scenes because to sit and watch them is embarrassing besides demoralizing.
I do not like pictures like the “Affairs of Anatol” that deal with such demoralizing types of people supposedly in society.
I don’t like stories with bedroom and harem scenes.
I dislike pictures where there are vulgar displays made by women, and pictures on questionable topics.
I do not like a play where the actors are not dressed properly, for instance, “Foolish Wives.”
I do not think it necessary for some actresses to wear so little clothing as they do.
I do not like those stories in which the words or actions can be taken in an immoral way as well as the way in which probably they were meant.
I don’t like stories with sex as their only excuse for being.
Murder and shooting:
I don’t like pictures where everybody gets shot.
I don’t like pictures with very much murdering.
I don’t like pictures having murdering or killing scenes in them.
I have no taste for the picture in which so many of the players get killed.
I don’t like pictures which involve murders and are taken down in Chinatown.
I don’t like murder stories that get you too excited to sleep or to concentrate on anything but the picture you have just seen.
I greatly dislike horrible picturizations which include numerous murders and terrifying incidents.
I do not like pictures of the villainous kind where the heroine is mistreated.
I do not like stories of hideous crimes.
I don’t like pictures that show prison life, or anything of hardship or cruelty.
Comments: Clarence Arthur Perry (1872-1944) was an American sociologist and town planner. His study The attitude of high school students toward motion pictures (1923) is based on a questionnaire circulated by the National Committee for Better Films, working with the National Board of Review. The questionnaire was sent to 600 high schools across America in May 1922 and received 44,000 responses. The questions included filmgoing habits, favourite actors, picture preferences and dislikes, attitudes towards educational films, and whether and films served as a stimulus to reading. The report is filled with interesting and useful data. The responses quoted here are a selection of those given in answer to the question “Mention any kinds of picture you do not like”. The films referred to are Neptune’s Bride (USA 1920 d. Leslie T. Peacocke), Back Pay (USA 1922 d. Frank Borzage), Male and Female (USA 1919 d. Cecil B DeMille), The Affairs of Anatol (USA 1921 d. Cecil B. DeMille), and Foolish Wives (USA 1922 d. Erich Von Stroheim).
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