Scott's Last Expedition

ponting

Colour plate from Scott’s Last Expedition: ‘Mr Ponting Lecturing on Japan’

Source: Robert Falcon Scott, journal entries for 29 May 1911 and 22 August 1911, in Captain R.F. Scott, Scott’s Last Expedition (London: Smith, Elder, 1914), vol. 1, pp. 292, 387-388

Text: Monday, May 29. – … Lecture – Japan. To-night Ponting gave us a charming lecture on Japan with wonderful illustrations of his own. He is happiest in his descriptions of the artistic side of the people, with which he is in fullest sympathy. So he took us to see the flower pageants. The joyful festivals of the cherry blossom, the wistaria, the iris and chrysanthemum, the sombre colours of the beech blossom and the paths about the lotus gardens, where mankind meditated in solemn mood. We had pictures, too, of Nikko and its beauties, of Temples and great Buddhas. Then in more touristy strain of volcanoes and their craters, waterfalls and river gorges, tiny tree-clad islets, that feature of Japan – baths and their bathers, Ainos, and so on. His descriptions were well given and we all of us thoroughly enjoyed our evening.

[…]

Tuesday, August 22. – I am renewing study of glacier problems; the face of the ice cliff 300 yards east of the homestead is full of enigmas. Yesterday evening Ponting gave us a lecture on his Indian travels. He is very frank in acknowledging his debt to guide-books for information, nevertheless he tells his story well and his slides are wonderful. In personal reminiscence he is distinctly dramatic he thrilled us a good deal last night with a vivid description of a sunrise in the sacred city of Benares. In the first dim light the waiting, praying multitude of bathers, the wonderful ritual and its incessant performance; then, as the sun approaches, the hush – the effect of thousands of worshippers waiting in silence – a silence to be felt. Finally, as the first rays appear, the swelling roar of a single word from tens of thousands of throats: ‘Ambah!’ It was artistic to follow this picture of life with the gruesome horrors of the ghat. This impressionist style of lecturing is very attractive and must essentially cover a great deal of ground. So we saw Jeypore, Udaipore, Darjeeling, and a confusing number of places – temples, monuments and tombs in profusion, with remarkable pictures of the wonderful Taj Mahal – horses, elephants, alligators, wild boars, and flamingos – warriors, fakirs, and nautch girls – an impression here and an impression there.

It is worth remembering how attractive this style can be – in lecturing one is inclined to give too much attention to connecting links which join one episode to another. A lecture need not be a connected story; perhaps it is better it should not be.

Comments: Robert Falcon Scott (1868-1912) was a Royal Navy officer and explorer, who led the British Expedition to the South Pole on the Terra Nova and died on the return journey. The expedition included a photographer and cinematographer, Herbert Ponting (1870-1935). During the winter months when there was no sun at the Antarctic various entertainments were put on for the expedition members in their hut at Cape Evans. These included regular lectures given by Ponting, using a magic lantern and photographs taken by him from around the world (Ponting had been on photographic assignments to Burma, Korea, Java, China, India and Japan). Scott’s journal makes several references to these lectures, as well as to Ponting’s photographic and cinematographic work. Ponting did not exhibit his films to the expedition as he did not have a projector nor the mean to process prints from his negatives.

Links: Copy at Internet Archive

Scott’s Last Expedition

ponting

Colour plate from Scott’s Last Expedition: ‘Mr Ponting Lecturing on Japan’

Source: Robert Falcon Scott, journal entries for 29 May 1911 and 22 August 1911, in Captain R.F. Scott, Scott’s Last Expedition (London: Smith, Elder, 1914), vol. 1, pp. 292, 387-388

Text: Monday, May 29. – … Lecture – Japan. To-night Ponting gave us a charming lecture on Japan with wonderful illustrations of his own. He is happiest in his descriptions of the artistic side of the people, with which he is in fullest sympathy. So he took us to see the flower pageants. The joyful festivals of the cherry blossom, the wistaria, the iris and chrysanthemum, the sombre colours of the beech blossom and the paths about the lotus gardens, where mankind meditated in solemn mood. We had pictures, too, of Nikko and its beauties, of Temples and great Buddhas. Then in more touristy strain of volcanoes and their craters, waterfalls and river gorges, tiny tree-clad islets, that feature of Japan – baths and their bathers, Ainos, and so on. His descriptions were well given and we all of us thoroughly enjoyed our evening.

[…]

Tuesday, August 22. – I am renewing study of glacier problems; the face of the ice cliff 300 yards east of the homestead is full of enigmas. Yesterday evening Ponting gave us a lecture on his Indian travels. He is very frank in acknowledging his debt to guide-books for information, nevertheless he tells his story well and his slides are wonderful. In personal reminiscence he is distinctly dramatic he thrilled us a good deal last night with a vivid description of a sunrise in the sacred city of Benares. In the first dim light the waiting, praying multitude of bathers, the wonderful ritual and its incessant performance; then, as the sun approaches, the hush – the effect of thousands of worshippers waiting in silence – a silence to be felt. Finally, as the first rays appear, the swelling roar of a single word from tens of thousands of throats: ‘Ambah!’ It was artistic to follow this picture of life with the gruesome horrors of the ghat. This impressionist style of lecturing is very attractive and must essentially cover a great deal of ground. So we saw Jeypore, Udaipore, Darjeeling, and a confusing number of places – temples, monuments and tombs in profusion, with remarkable pictures of the wonderful Taj Mahal – horses, elephants, alligators, wild boars, and flamingos – warriors, fakirs, and nautch girls – an impression here and an impression there.

It is worth remembering how attractive this style can be – in lecturing one is inclined to give too much attention to connecting links which join one episode to another. A lecture need not be a connected story; perhaps it is better it should not be.

Comments: Robert Falcon Scott (1868-1912) was a Royal Navy officer and explorer, who led the British Expedition to the South Pole on the Terra Nova and died on the return journey. The expedition included a photographer and cinematographer, Herbert Ponting (1870-1935). During the winter months when there was no sun at the Antarctic various entertainments were put on for the expedition members in their hut at Cape Evans. These included regular lectures given by Ponting, using a magic lantern and photographs taken by him from around the world (Ponting had been on photographic assignments to Burma, Korea, Java, China, India and Japan). Scott’s journal makes several references to these lectures, as well as to Ponting’s photographic and cinematographic work. Ponting did not exhibit his films to the expedition as he did not have a projector not the mean to process prints from his negatives.

Links: Copy at Internet Archive

The Diary of Ralph Thoresby

Source: Ralph Thoresby, diary entry for 1 February 1709, in Rev. Joseph Hunter (ed.), The Diary of Ralph Thoresby (London: Henry Colburn and Richard Bentley, 1830), vol. II p. 41, reproduced on the Thoresby Society website, http://www.thoresby.org.uk/diary/diary.html

Text: In return met with Mr. Milner at Mr. Blythman’s, where we dined; I afterwards called to see the Moving Picture, a curious piece of art: the landscape looks as an ordinary picture till the clock-work behind the curtain be set at work, and then the ships move and sail distinctly upon the sea till out of sight; a coach comes out of the town, the motion of the horses and wheels are very distinct, and a gentleman in the coach that salutes the company; a hunter also and his dogs, &c. keep their course till out of sight. I had some discourse with the German inventor of it, Mr. Jacobus Morian: see his paper and autograph. Evening, packing up papers and apparel.

Comments: Ralph Thoresby (1658-1725) was a British antiquarian, diarist and historian of Leeds. His diary entry refers to a mechanical picture driven by clockwork that was on display in London in 1709. A similar mechanical picture was witnessed by Jonathan Swift in 1713, and recorded in one of the letters in his Journal to Stella (qv).

Links: Transcription at Thoresby Society website
Copy at Internet Archive

Journal to Stella

Source: Letter from Jonathan Swift to Esther Johnson (‘Stella’) and Rebecca Dingley, 21 March 1713 in Jonathan Swift (ed. George A. Aitken), Journal to Stella (London: Methuen, 1901), Letter 62, p. 530

Text: I dined to-day with a mixture of people at a Scotchman’s, who made the invitation to Mr. Lewis and me, and has some design upon us, which we know very well. I went afterwards to see a famous moving picture, and I never saw anything so pretty. You see a sea ten miles wide, a town on t’other end, and ships sailing in the sea, and discharging their cannon. You see a great sky, with moon and stars, etc. I’m a fool. Nite, dee MD.

Comments: Jonathan Swift (1667-1745) was an Irish satirist, essayist and novelist, best known for Gulliver’s Travels. His Journal to Stella is a collection of letters to his friend Esther Johnson and sometimes jointly to her companion Rebecca Dingley, which was posthumously published in 1766. ‘MD’ stands for ‘my dears’. The ‘moving picture’ to which he refers was shown in a house next to the Grecian Head coffee house in the Strand, London. Sixpence and a shilling were charged for admission. It was a fixed picture probably with clockwork moving parts. Mechanical pictures of German origin are reported as being shown in London by The Tatler around this time (see nos. 113 and 129) and were witnessed by diarist Ralph Thoresby in 1709 (qv).

Links: Copy at Internet Archive