At the Palace

Source: Extract from ‘At the Palace’, Punch, 6 August 1898, p. 57

Text: Then comes “The American Biograph.” Wonderful!! But, my eyes! my head!! and the whizzing and the whirling and twittering of nerves, and blinkings and winkings that it causes in not a few among the spectators, who could not be content with half the show, or even a third of it. It is a night-mare! There’s a rattling, and a shattering, and there are sparks, and there are showers of quivering snow-flakes always falling, and amidst these appear children fighting in bed, a house on fire, with inmates saved by the arrival of fire engines, which, at some interval, are followed by warships pitching about at sea, sailors running up riggings and disappearing into space, train at full speed coming directly at you, and never getting there, but jumping out of the picture into outer darkness where the audience is, and the, the train having vanished, all the country round takes it into its head to follow as hard as ever it can, rocks, mountains, trees, towns, gateways, castles, rivers, landscapes, bridges, platforms, telegraph-poles, all whirling and squirling and racing against one another, as if to see which will get to the audience first, and then, suddenly … all disappear into space!! Phew! We breathe again!! But, O heads! O brandies and sodas! O Whiskies and waters! Restoratives, quick! It is wonderful, most wonderful! Nay, we had almost said, with the learned Dr. JOHNSON, that we wished “it were impossible,” But to wish this is to put the clock back, and the show is over in excellent time to allow of supper and refreshment where you will. Still, just a third of the American Biograph as invented by HERMAN CASLER, would suffice for this particular deponent, and for not a few others. Anyway, the Palace thoroughly deserves its present most evident popularity.

Comments: The American Biograph was the brand name given to the Biograph projector, invented by the American Herman Casler and marketed by the American Mutoscope and Biograph Company. The Biograph utilised 70mm film with exceptional image quality. It was showcased in London at the Palace Theatre of Varieties in Cambridge Circus, featuring as part of the programme between March 1897 and December 1902. The American Biograph appeared towards the end of the programme, and showed a selection of 15 or so films, mostly actualities, over a period of 30 minutes.

Links: Copy at the Internet Archive

Mass-Observation at the Movies

Source: Annie Whittle, quoted in Jeffrey Richards and Dorothy Sheridan (eds.), Mass-Observation at the Movies (London/New York: Routledge & Kegan Paul, 1987), p. 134

Text: Mrs Annie Whittle, 40 Salisbury St (aged 65), regular cinema-goer (6 times per month), preference – American films

Comments: I go to the cinema primarily for relaxation and entertainment. A lot of American films are alright for Americans but not for us as the meaning is lost to us, i.e. various rackets. Like to see musicals but get fed up with that foot-tapping, a bit, alright, a lot, bored. Like to see films with good singers and beautiful natural scenery. Think films like Three Smart Girls are excellent, for their spontaneity and freshness. Think British musicals are excellent but the rest a long way of American. As yet waiting for the time to come when British films will portray ordinary people like the Americans do, not impossible if talent and something else is required.

Comments: Mass-Observation carried out a series of studies in 1930s and 1940s into how people in the UK lived, through a mixture of observation, diaries and invited comments. This comment comes from Mass-Observation’s research programme into cultural life in Bolton, Lancashire. The study began in 1938, and this comment is a response to a questionnaire issued in March 1938 asking Do you go to the cinema regularly? How many times a month do you go? Do you go regularly on the same day, if so which day? Do you think you see people on the screen who live like yourself? Which are the best films, British or American, or do you think both are the same? People were also asked to number the types of films they best, and to list what they would like to see more of in films. This respondee was a regular of the Odeon, Ashburner Street. Three Smart Girls (USA 1936) starred Deanna Durbin.